KEITH RICHARDS, MONTAUK, NY, JUNE, 1975Cooking eggsLINER NOTES Once, I was sitting in one of the rooms and I smelled something cooking. I thought, God, that smells really good, like eggs or something. I went into the kitchen - this was still midday - and there was Keith, standing over a frying pan at the stove, without a shirt on, cooking up some eggs. I had to do a triple take: he never got up much before six or 7 p.m. Thank God I had my camera because this was a one-in-a-million shot. - Ken ReganSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,000 - $2,700STARTING BID $1,575

GREG ALLMAN, MACON, GA, 1975With painting of Duane, People Magazine shootLINER NOTES (Gregg) finally showed up at around midnight - when the Allman's got down to rehearsing for a couple of hours, which for us was a rare rock 'n' roll treat. Then, Gregg, ace guitarist Dickey Betts, Dickey's friend Bonnie Bramlett (formerly of Delaney & Bonnie), Jim, and I hung out through the night at Gregg's home. - Ken ReganSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,100 - $1,500STARTING BID $875

RUN DMC, HOLLIS, QUEENS, NY, 1986LINER NOTES Run-D.M.C. in the hood-Hollis, Queens -for People magazine's December double issue, 1986, shortly after the incredible success of Raising Hell. This shoot was challenging for a good reason: kids flooded into the street to hang with their likeable local heroes.- Ken ReganSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,700 - $2,200STARTING BID $1,295

BOB DYLAN & BRUCE SPRINGSTEEN, NEW HAVEN, CT, 1975LINER NOTES Bruce Springsteen came backstage on the Rolling Thunder Revue Tour to meet the man he would later refer to as the brother I never had, when he inducted Dylan into the Rock and Roll Hall of Fame. - Ken ReganSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,600 - $2,100STARTING BID $1,225

BOB DYLAN, MONTREAL, QUEBEC, 1975Rolling Thunder Revue TourLINER NOTES What's with the whiteface' I asked Bob as he was being made up before a show. Nobody could figure that out. He said, Well, I'm playing these halls and it's really dark. I want people way in the back to be able to see my eyes. Okay. Whatever. - Ken ReganSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,700 - $2,200STARTING BID $1,295

ART BLAKEY, LONG ISLAND, NY, 1958At the Cork 'N' Bib ClubLINER NOTES The hard-driving, ever-swinging Art Blakey leading his Jazz Messengers at the Long Island Jazz club, the Cork 'N' Bib. This famous, perfectly framed image became the cover photograph for his 1960 Blue Note album The Big Beat.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety FilmSIZE 17 x 17MEDIUM Platinum print. VALUE $2,300 - $3,600 STARTING BID $1,800

BUD POWELL, NEW YORK CITY, 1958BirdlandLINER NOTES In a magic moment during a rehearsal at Birdland, Bud Powell's son John Earl peeps his head around Bud's shoulder and Francis Wolff was there to capture the moment. In a close-up cropping of the two faces, this image became the cover of Powell's The Scene Changes album.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety Film15 x 15MEDIUM Silver gelatin print. VALUE $1,200 - $1,800 STARTING BID $900

PATTIE BOYD AND GEORGE HARRISON, SURREY, ENGLAND, 1968LINER NOTES Camera set on tripod to capture first bloom of roses in our garden. - Pattie BoydSPECIFICS Shot with a Nikon camera using 35mm film.SIZE 20 x 30MEDIUM Archival digital print.VALUE $3,250 - $4,400STARTING BID $2,500

ERIC CLAPTON, ANOTHER HOTEL ROOM, USA, 1974LINER NOTES My first experience of being on tour with Eric. - Pattie BoydSPECIFICS Shot with a Nikon camera using 35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,950 - $2,700STARTING BID $1,500

CLIFFORD BROWN, NEW YORK CITY, 1963Audio Video Studios, LINER NOTES This photograph was taken at Clifford Brown's first record session as a leader. Less than three years later, this young genius would be silenced by an automobile accident on the Pennsylvania Turnpike. This image became the cover shot for his Memorial album on Blue Note.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety FilmSIZE 15 x 15 MEDIUM Silver gelatin print.VALUE $1,200 - $1,800 STARTING BID $900

PAUL WELLER & PETE TOWNSHEND, LONDON, 1980LINER NOTES Paul Weller (The Jam) met his hero Pete Townshend (The Who) for the first time on Wardour Street in London outside the famous Marquee Club in the summer of 1981. Weller's look was resolutely Mod, he told Mojo magazine You could say it's a fashion statement, but I think it's more than that: the working class love of clothes, looking good, rising above your station. I don't think it will ever die ' These clothes, my haircut, reflect my attitude and the music I listen to, and they say 'I am an individual'.This is one of the first shots I took of them that afternoon - it is a moment in time - Weller looking so sharp in his pin stripe suit. Later I listened to them talking about music, mods and life - the interview and this image was a cover story for Melody Maker magazine. - Janette BeckmanSIZE 20 x 24 MEDIUM Silver gelatin print.VALUE $1,260 - $1,650STARTING BID $975

DAVID BOWIE & MICK RONSON, 1973Lunch on the Train to Aberdeen, Scotland. Last Ziggy Stardust Tour.SPECIFICS Shot with Nikormatt, Trix-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

IGGY POP, 1972Raw Power Cover, La Scala, London.SPECIFICS Shot with Nikormatt, Ektachrome-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

KEITH RICHARDS, NEW YORK CITY,LATE 1990'SIndustria Studios. British GQ photo shoot.SPECIFICS Shot with Nikon 35mm. F2 Camera -Tri-X Film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,100 - $1,500STARTING BID $875

KEITH RICHARDS, NEW YORK CITY, LATE 1990'SMemory Motel, Industria Studios, New York City. British GQ photo shoot.SPECIFICS Shot with Nikon 35mm. F2 Camera -Tri-X Film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,100 - $1,500STARTING BID $875

STEVEN TYLER, NEW YORK CITY, MID-2000'SSplashlight Studios.LINER NOTES The shoot was for Aerosmith's label. I asked the fashion stylist to get hats, gloves, all accessories and fashion to have animal prints and or references. For me Tyler is just that, a courageous animal. - Stephanie Pfriender StylanderSPECIFICS Shot with Mamiya 120 Camera -Tri-X Film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $850 - $1,150STARTING BID $650

BJÖRK, NEW YORK CITY, MID-2000'SLINER NOTES The shoot was for Newsweek. I really was after a different mood of Björk, something more introspective rather than the performer. We started with the performance and then she went someplace else.- Stephanie Pfriender StylanderSPECIFICS Shot with Mamiya 120 Camera -Tri-X Film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $850 - $1,150STARTING BID $650

LENNY KRAVITZ, NEW YORK CITY, MID TO LATE 2000'SIndustria Studios, New York City.LINER NOTES The shoot was for Lenny's label. Lenny exudes sensuality through his physicality, lyrics, taste and ultimately his music. I asked the fashion stylist to bring silk pieces and the rest was him. - Stephanie Pfriender StylanderSPECIFICS Shot with Mamiya 120 Camera -Tri X Film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $850 - $1,150STARTING BID $650

ARETHA FRANKLIN, DETROIT, EARLY 2000'SLINER NOTES The shoot was for Newsweek. We set up a backdrop, table, chair in a back room at the restaurant for about a 20-minute shoot. For a minute she told me something. - Stephanie Pfriender StylanderSPECIFICS Shot with Mamiya 120 Camera -Tri-X Film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $850 - $1,150STARTING BID $650

KEITH RICHARDS, NEW YORK CITY, LATE 1990'S15 Minutes, Industria Studios.LINER NOTES The shoot was for British GQ magazine. My idea was to create a set in the studio that resembled a stage so that Keith would feel comfortable, a place that would have an informal mood and tell his story.- Stephanie Pfriender StylanderSPECIFICS Shot with Nikon 35mm. F2 Camera -Tri-X Film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $850 - $1,150STARTING BID $650

BRUCE SPRINGSTEEN, MALIBU, 1991LINER NOTES As I photographed Bruce and moved in to move his guitar a little in the composition, I noticed the worn out spot on the back of the guitar where his belt buckle had carved out the wood. I immediately realized the importance of the instrument and moved in closer on his hand as he played. - Timothy WhiteSPECIFICS Camera: RZ67 Film: TransparencySIZE 30 x 40MEDIUM Archival digital print.VALUE $2,600 - $4,200STARTING BID $2,000

BRUCE SPRINGSTEEN, MALIBU, 1991LINER NOTES Shooting Bruce all day in the mountains in Malibu, California. Came across this rusted out building that seemed a perfect fit for his style and personality. Being a fan, I was so excited to have him play for me. - Timothy WhiteSPECIFICS Camera: RZ67 Film: TransparencySIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

GUNS N' ROSES, LOS ANGELES, 1988LINER NOTES This was shot for Rolling Stone magazine just before their album and fame broke loose. I had the band meet me on a corner in West Hollywood that was near their rehearsal space. - Timothy WhiteSPECIFICS Hasselblad Film: TransparencySIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

ERIC CLAPTON, TORONTO, 1997LINER NOTES While shooting Eric during a rehearsal, I caught him sitting outside on a break and managed to catch a meditative moment as he sat with his prayer beads. - Timothy WhiteSPECIFICS Camera: RZ67 Film: Polaroid Pos./Neg.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

BJÖRK, REYKJAVIK, 1988LINER NOTES Shot for Rolling Stone magazine. Spent five days in Iceland shooting pictures. We drove out into the frozen outback and came across this scene. It was so cold the camera cord froze instantly, but Björk seemed to not notice the cold. - Timothy WhiteSPECIFICS Camera: Hasselblad Film: TransparencySIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

LIZA MINNELLI, NEW YORK CITY, 1996LINER NOTES I went into the make-up room and asked Liza if she would be photographed with two tattooed friends of mine. My idea was to have their tattooed arms wrapped around her without showing the guys. When she stepped out of the dressing room and got onto the set, she asked me if I was ready. She then quickly pulled up her blouse revealing a small tattoo under her breast surprising us all. It was the first shot of the day. - Timothy WhiteSPECIFICS Camera: RZ67 Film: Polaroid Pos./Neg.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

ARETHA FRANKLIN, DETROIT, 1996LINER NOTES Shot in Detroit, Michigan for an album cover and publicity. Aretha came out in this outrageous outfit and sang to me as I shot the pictures. - Timothy WhiteSPECIFICS Camera: RZ67 Film: TransparencySIZE 30 x 40MEDIUM Archival digital print.VALUE $2,600 - $4,200STARTING BID $2,000

JON BON JOVI, SEASIDE HEIGHTS, NEW JERSEY,1988LINER NOTES Shot for the band's New Jersey album cover. This portrait was taken in front of the Tilt-o-whirl ride at the Seaside Hgts., N.J. amusement pier. The fans had found out about the shoot and hundreds of screaming kids were there behind me while I worked with the band. - Timothy WhiteSPECIFICS Camera: Hasselblad Film: Tri-x B&W Neg.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

KEITH RICHARDS, NEW YORK CITY, 1988LINER NOTES I had been shooting Keith in a local bar for a magazine cover, and we decided to take a walk as the light was going down on the west side of New York City. Keith leaned against a light post as the setting sunlight wrapped around his head. - Timothy WhiteSPECIFICS Camera: Hasselblad Film: Tri-x B&W neg. filmSIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

USHER, BEDFORD CORNER, NEW YORK, 2008This was shot for a magazine cover story. Usher had his infant son on the shoot, and at one point while he was waiting for me to get ready, he started playing with his boy. I saw such wonderful fatherly love and caught the special moment. - Timothy WhiteSPECIFICS Camera: Hasselblad Digital CaptureSIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

RAY CHARLES, LOS ANGELES, 1985SIZE 22 x 28MEDIUM Archival digital print.VALUE $2,700 - $3,600STARTING BID $2,100

THE EAGLES, LOS ANGELES, 1976SIZE 38 x 50MEDIUM Archival digital print.VALUE $5,800 - $8,000STARTING BID $4,500

BRUCE SPRINGSTEEN, PORTRAIT LOOKING DOWN, ATLANTA, 2007SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

U2, DUBLIN, 1981Performing Gloria at the demolition of Summerhill in the inner city of Dublin.LINER NOTES These Georgian period houses had once housed the merchant class of Dublin when the British held the country. However they had deteriorated into semi slum dwellings and were now being torn down. A portion of this performance was used in the subsequent video for the single A Celebration which appeared on the October album.-Colm HenrySPECIFICS Taken with 35mm Kodak film in Nikon camera.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,050 STARTING BID $1,200

BONO, POINT DEPOT, DUBLIN, 1988 LINER NOTES Bono rehearsing with his Gibson guitar preparing for a forthcoming gig with blues legend BB King. SPECIFICS Taken with 120 Kodak film in Hasselblad camera.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,300 - $1,800 STARTING BID $1,050

U2, POINT DEPOT, DUBLIN, 1988LINER NOTES U2 going over some new song ideas during a break from filming of the U2 film Rattle and Hum.SPECIFICS Taken with 35mm Kodak Tri-X film in Nikon camera.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

JAMES BROWN, NEW YORK CITY, 1984LINER NOTES What can you say about the Godfather of Soul' James was in fine form this night. He was lean and athletic looking and seemed to be enjoying himself. -Joe RosenSPECIFICS Shot on a Nikon F2, 180mm lens, Tri-X film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $800 - $1,100 STARTING BID $625

DIZZY GILLESPIE, NEW YORK CITY, 1986LINER NOTES For a time in the mid '80s the Apollo Theatre would have weekend afternoon shows. I think the admission fee was $6.00. I would hop a train to Harlem, dine at Sylvia's and catch the shows. On this day the place was only about half full. It was all pretty casual. I went down front, crouched and took a few frames. Then suddenly some of the lights went off, leaving only the single spotlight. That's when it all came together and I knew I had my shot. -Joe RosenSPECIFICS Shot on a Leica M4, 90mm lens, Tri-X film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $800 - $1,100 STARTING BID $625

DAVID HONEYBOY EDWARDS, CLARKSDALE, MS, 2011LINER NOTES Honeyboy was the last of the true Delta Blues singers; a contemporary and musical partner of Robert Johnson. The Juke Joint Festival was to be his last public performance. He was 96 at the time and still very sharp. We spoke, reminisced about mutual friends and a portrait session I did with him and others in 2000. As we said goodbye, he grasped and shook my hand very firmly. He was gone a couple of months later. -Joe RosenSPECIFICS Shot on a Leica M9, 90mm lens, digital.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $800 - $1,100 STARTING BID $625

MARILYN MANSON, NEW YORK CITY, 1995LINER NOTES American rock band Marilyn Manson backstage at the taping of the last episode of the John Stewart Show (clockwise: Twiggy Ramirez, Ginger Fish, Marilyn Manson, Daisy Berkowitz, and Madonna Wayne Gacy). The band was the musical guest on the show. SIZE 16 x 20MEDIUM Archival digital print.VALUE $700 - $950STARTING BID $550

EARTHA KITT, NEW YORK CITY, 1987LINER NOTES American actress and singer Eartha Kitt, holds her dog while having her makeup applied backstage before a show at the Ballroom.SIZE 16 x 20MEDIUM Archival digital print.VALUE $700 - $950STARTING BID $550

BILLIE JOE ARMSTRONG,NEW YORK CITY, 1994LINER NOTES Billie Joe Armstrong of Green Day poses for a portrait at Madison Square Garden holding a stuffed doll of Ernie from Sesame Street printed with the words Let's Be Buddies backstage.SIZE 16 x 20MEDIUM Archival digital print.VALUE $700 - $950STARTING BID $550

NEIL YOUNG CRAZY HORSE 2SIZE 13 x 19MEDIUM Archival digital print of original canvases.VALUE $900 - $1,200 STARTING BID $700

BOB MARLEY 7On this piece, I collaborated with the infamous street writer, LA2, who worked with and taught Keith Haring the art of the graffiti writer. They worked together for eight years until Keith's death. - Steve JoesterSIZE 13 x 19MEDIUM Archival digital print of original canvases.VALUE $900 - $1,200 STARTING BID $700

THE DOORS ON BLACK, 1967LINER NOTES The Doors were among the brighter groups I'd shot at that point. They had a visual orientation and seemed to understand the potential of a good photo session. Initially, there seemed to be a little jealously that Morrison was being put so up front in the photos, but basically the others understood that Jim was the sex symbol and an important visual focus for the band. -Joel BrodskySIZE 16 x 20MEDIUM Archival digital print.VALUE $1,400 - $1,900STARTING BID $1,100

JONI MITCHELL, SKATING ON LAKE MENDOTA, NY, MARCH, 1976 LINER NOTES Chosen by Joni for her Hejira LP gatefold.SPECIFICS Shot with a 35mm Asahi Pentax Spotmatic, Zeiss 35mm f/2 lens, using Ilford FP4 film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,400 - $1,900STARTING BID $1,100

NEIL YOUNG & GRAHAM NASH, PASSING AN OLD WOMAN, NEW YORK CITY, JUNE, 1970LINER NOTES Chosen by Neil for his After the Gold Rush album cover-full frame.SPECIFICS Shot with a 35mm Asahi Pentax Spotmatic, Pentax 28mm f/3.5 lens, using Kodak Tri-X film.SIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,700 - $2,300 STARTING BID $1,300

NEIL YOUNG & HIS WIFE SUSAN, BACKSTAGE AT THE ELECTRIC FACTORY, PHILADELPHIA, FEBRUARY, 1970LINER NOTES Chosen by Neil for his After the Gold Rush album cover gatefold.SPECIFICS Shot with a 35mm Asahi Pentax Spotmatic, Pentax 17mm f/4 lens, using Kodak Tri-X film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300 STARTING BID $1,300

BRUCE SPRINGSTEEN AND FANS, RED BANK, NEW JERSEY, OCTOBER, 1979SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,900 - $2,500STARTING BID $1,500

WILLIE DIXON, BIG JOE WILLIAMS, MEMPHIS SLIM, NEW YORK CITY, 1961Blues legends Willie Dixon, Big Joe Williams, and Memphis Slim Harpo on West 46th Street. SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

HOWLIN' WOLF, NEWPORT FOLK FESTIVAL, NEWPORT, RI, JULY, 1966Howlin' Wolf and his band perform. The band is (l-r) Sam Jones, Andrew McMahon, Hubert Sumlin and Howlin' Wolf.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

JIMI HENDRIX, SAN FRANCISCO, 1968 LINER NOTES Jimi Hendrix was one of my absolute favorite photographic subjects; he dressed well all the time. Even when he was at rest, between his clothes and his looks, he was photogenic. When Jimi was on a stage he was such an incredible performer. The genius of his musicianship aside, he just looked so good on the stage - his facial expressions, the way he would cross his arms to play, he'd play behind his back, he'd play with his teeth, he'd make love to his guitar. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X filmSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $900 - $1,150STARTING BID $700

JANIS JOPLIN, SAN FRANCISCO, 1967LINER NOTES One question that is continually repeated is, Hey, can I talk to you privately, tell me - it won't go any further, just for me- did you sleep with Janis Joplin, just tell me, did you sleep with Janis Joplin' And I always answer, Well what do you think' I either say it like this - What do you think' or What do you think' And they say, Oh, man, thank you, thanks, I appreciate that, it means a lot to me. I let them use their imagination; I never say anything more, never go beyond that response! Never did and never will. -Baron WolmanSPECIFICS Hasselblad and Ektachrome film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,150STARTING BID $700

FRANK ZAPPA, LAUREL CANYON, LOS ANGELES, 1968LINER NOTES I was worried about going to photograph Frank Zappa. I knew his reputation as a creative eccentric and I was like, Oh shit how am I going to deal with this' Because I didn't even know his music; I mean, of course, I was familiar with his music, he was brilliant. But only if you really knew music could you understand that brilliance; for the most part it wasn't listenable, at least to my ears. Besides, there was nothing I could say to Frank Zappa that would in any way make me intellectual equal. I knew I could take great pictures but I knew that I couldn't keep up with his mind. We got up there and I said to writer [Jerry] Hopkins, You do the interview first then I'll do the pictures, but Zappa wanted to do the pictures right away so he and I went out behind his house and found all these bizarre photographic situations that were both wacky and fantastic. I didn't have to say or direct anything; he just started fooling around because he was having such a great time being Frank; Frank being Frank - performing for me and my camera without direction. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X film SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,150 STARTING BID $700

MICK JAGGER,THE SET OF PERFORMANCE, LONDON, 1968LINER NOTES I love the classic Polaroid camera Mick is holding and Anita Pallenberg was gorgeous. The relationships were all a little complex; Anita was Keith's girlfriend who had been with Brian Jones before and was now in a movie doing love scenes with Mick! Without realizing at the time what a big deal it was, not only was I in swinging London but I had photographed The Who, a Beatle and a Rolling Stone. Not bad for a few days work. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X filmSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,300 - $1,700 STARTING BID $1,000

B.B. KING, SAN FRANCISCO, 1967LINER NOTES B.B. King welcomed me into his inner circle like few others. He was ever so hospitable - want something to eat' Want something to drink' Backstage with B.B. and his entourage I felt as if I was a guest at his home. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X filmSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $900 - $1,150STARTING BID $700

MISSISSIPPI FRED MCDOWELL, MEMPHIS BLUES FESTIVAL, TENNESSEE, 1969LINER NOTES This portrait was taken the year his album I Do Not Play No Rock 'n' Roll was released. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X filmSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $850 - $1,150STARTING BID $650

JIMI HENDRIX, NEW YORK CITY, 1968From the Other Side of the Glass, recording Electric Lady Land at The Record Plant.LINER NOTES I have always loved this photo as it seems to sum up my feelings about the images I was privileged to capture. I am lucky enough to be sitting on the other side of the glass listening to a genius playing guitar and laying down take after take of fabulous history making music, recording it for posterity and able to grab a shot of the artist deep in the middle of a take. -Eddie KramerSIZE 30 x 40MEDIUM Archival digital print.VALUE $2,500 - $3,300STARTING BID $1,925

JIMI HENDRIX, LONDON, 1967The Iron Cross, at Saville Theatre.LINER NOTES Jimi opened the show with a stunning rendition of Sgt. Pepper. The Beatles were in the audience and were completely blown away. Apparently, George said to Paul after the show Hey c'mon man, we've got to get back to the studio and re-do the guitars! Jimi was pretty buffed in those days displaying an Iron Cross on his chest for bravado.-Eddie KramerSPECIFICS This special limited edition is printed on silver metallic paper. Co-design and colorization by AJ Newton.SIZE 30 x 40MEDIUM Archival digital print on silver metallic paper.VALUE $3,200 - $4,200STARTING BID $2,500

JIMI HENDRIX AND MICK JAGGER, NEW YORK CITY, 1969Backstage at Madison Square Garden.LINER NOTES Jimi called me up one night and said I'm going to see the Stones tonight do you wanna go' I grabbed my camera bag and met him at the backstage entrance to Madison Square Garden and we went up to the dressing room and hung out with the Stones. This was on the occasion of Jimi's birthday November 27, 1969. -Eddie KramerSIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

JIMI HENDRIX, NEW YORK CITY, 1968Stereophonic Smoking, at The Record Plant.LINER NOTES Even though Jimi smoked grass he was never too stoned to work diligently and with tremendous focus on the task at hand. This photo shows Jimi very relaxed and utilizing a unique system for smoking a joint and a cigarette at the same time. Even smoking was a 'stereophonic' experience. -Eddie KramerSIZE 20 x 24MEDIUM Archival digital print. VALUE $1,800 - $2,400STARTING BID $1,400

JIMI HENDRIX, LONDON, 1967Are You Experienced' recording at Olympic Studios.LINER NOTES We were recording the basic tracks for Are You Experienced at Olympic Studios and Jimi was running down the song with the band. I was able to capture this moment showing his laser like concentration shutting out the world around him.-Eddie KramerSIZE 30 x 40MEDIUM Archival digital print. VALUE $1,500 - $1,900 STARTING BID $1,150

PAUL MCCARTNEY AND JOHN LENNON, NEW YORK CITY, 1965Close up of Paul and John on stage on the Ed Sullivan Show.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,200STARTING BID $1,250

PETE TOWNSHEND, THE WHO, MONTEREY POP, CA, JUNE, 1967 LINER NOTES At that time no one had ever seen smashing guitars as a performance aesthetic. People were shocked and dumbfounded. People just stared, including other musicians, and many were horrified at the idea of destroying instruments since no one in America had even seen this kind of presentation at that time. -Elaine MayesSPECIFICS Shot with a Nikon F 35mm analog camera, TriX film.SIZE 17 x 22MEDIUM Archival digital print.VALUE $1,000 - $1,450 STARTING BID $850

KEITH MOON, THE WHO, MONTEREY POP, CA, JUNE, 1967 LINER NOTES The Who were memorable in Monterey, and thus began a huge US following after this appearance. Their contribution was memorable with smoke machines and remarkable theatrics. Keith Moon was an amazing and unforgettable drummer, and The Who performance was like nothing ever seen before. Moon's energy and skill were just the best, and their clothes were flamboyant and very British. -Elaine MayesSPECIFICS Shot with a Nikon F 35mm analog camera, TriX film.SIZE 13 x 19MEDIUM Archival digital print.VALUE $900 - $1,200 STARTING BID $700

FRANK SINATRA, DEAN MARTIN AND SAMMY DAVIS, JR., CHICAGO THEATER, CHICAGO, MARCH 19, 1989LINER NOTES This was the last time that the three of them appeared together - Dean was fired after the show and replaced with Liza Minelli for the rest of the tour.-Paul Natkin SPECIFICS Shot with Nikon Film Camera, 35mm B&W Film.SIZE 16 x 20MEDIUM Silver gelatin prints.VALUE $800 - $1,100 STARTING BID $625

JOHN LEE HOOKER, ARLINGTON PARK RACE TRACK, ARLINGTON HEIGHTS, ILLINOIS, JUNE 25, 1998 SPECIFICS One of the last photographs of John Lee Hooker. -Paul Natkin Shot with Hasselblad medium format camera, 120 B&W Film.SIZE 16 x 20MEDIUM Silver gelatin prints.VALUE $800 - $1,100STARTING BID $625

ROBERT PLANT, NORTH LONDON, 1972Wembley ArenaLINER NOTES I remember that the lighting was good at this show and the music as always'great! Led Zep was my favorite rock band and really fun guys to tour and party with. The stories are legend and their exploits almost 'Viking' in myth now. I miss 'em! -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300STARTING BID $1,300

BOB DYLAN, LONDON, 1965BBC TV Studio canteenLINER NOTES Bob was rehearsing for a live TV show during his Don't Look Back tour. I happened to be with the Pretty Things at the 'Beeb' canteen and there he was sitting a few feet away. I never had any 'idols' but Mr. Dylan had changed the times for us. He was the biggest influence on us Brits since Elvis. He was hanging-out during a break from rehearsals so I asked if I could shoot some pictures and in his very Bob way wearing a big smile, he said, 'you can shoot yourself if you want to'sure it's cool, carry on - so I did. I later snuck in and photographed the rest of the rehearsal unimpeded. That evening I went along to see the show in a small studio with only about 100 others. A unique, intimate and wonderful time was had by all. -Barrie WentzellSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

PETE TOWNSHEND & ERIC CLAPTON, NORTH LONDON, 1973Rainbow TheatreLINER NOTES There had been a lot of concern about Clapton and the bad period he was going through. He had not recorded or done live shows for two years and had become a recluse in his home. Pete Townshend organized a concert for him with many other musicians to help him make a comeback and get him together again. It was a fantastic concert and Eric, with a lot of help from his friends including Townshend, Ron Wood, Steve Winwood, Rick Grech & Jim Capaldi returned with vengeance. -Barrie WentzellSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

MICK JAGGER, LONDON, 1968Rolling Stones office, MayfairLINER NOTES This image came about in tandem to an article on musicians and business and since Mick had gone to the London School of Economics he seemed a good choice! I spent an afternoon in the Stones office taking pictures of Mick as a businessman doing business stuff. It seemed a bit embarrassing for both of us and it shows in his 'pout'. -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

JIMI HENDRIX, BEDFORDSHIRE, ENGLAND, 1968Woburn AbbeyLINER NOTES This was a Melody Maker sponsored show at stately Woburn Abbey the home of the Duke of Bedford. I don't think the Duke attended, but many others did & Jimi played a great gig as top of the bill. The stage was around 10 feet high so not great for being in front of the stage as all you could see was Jimi's head, so I went backstage & got a few shots from the side against the spotlights. -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

ELTON JOHN, LONDON, 1970With a Gentleman of the Road, Soho Square LINER NOTES Dick James Music asked me if I would take some pictures of a singer/piano player chap they had, so I said okay send him round to my studio. Next day this chap called Elton John turns up at my door. He didn't exactly look at all like a pop star; he seemed just another ordinary guy, very quiet and a bit shy. I asked him what he did and he said he'd been the piano player with Long John Baldry and lastly in a band called Bluesology. We did a few rolls of film in my studio but it seemed Elton wasn't 'coming alive' in the shots so I suggested a walk around Soho Square to try to loosen him up and get him more relaxed. At the end of the shoot Elton sat down on a park bench next to a 'Gentleman of the Road' who was eating his sandwich for lunch. It was the best picture of the entire shoot. Many years later it finally appeared in the CD booklet for Elton John Rare Masters, along with a few photos from my other shoots. -Barrie WentzellSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

THE ROLLING STONES, LONDON, 1969Hyde Park LINER NOTES A week before the free concert, the Rolling Stones had a photo call in Hyde Park to introduce Mick Taylor as the replacement for the late Brian Jones. As legend goes, Mick Jagger asked veteran bluesman, John Mayall who he thought was the best guitarist to fill this vacancy. John recommended Mick Taylor who been playing in John Mayall's Bluesbreaker. I remember the shoot was more like a 'rugby scrum' trying to get a picture while elbowing and fighting through 20 or so other photographers and journalists just to get this picture. -Barrie WentzellSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

JOHN ENTWISTLE & PETE TOWNSHEND, LONDON, 1968IBC Studio, Upper Regent StreetLINER NOTES Earlier in May 1968 we did an interview with Pete Townshend where he said he was planning a 'rock opera' about a deaf, dumb and blind boy. I thought he'd gone 'cuckoo' but a few months later I went over to IBC Studios and found him and the rest of The Who deep into recording Tommy. It was sounding amazing and I had to quickly reassess my doubts and became a believer! I spent a few hours just hanging in and got a lot of pics of the group hard at work, even Mr. Moon was sober. This photo of John and Pete is of bass and guitar riff overdubbing. -Barrie WentzellSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

IAN ANDERSON, LONDON, 1973Wembley ArenaLINER NOTES This was shot from the front of stage during one of those amazing performances at the Wembley Arena. I loved to shoot there as the stage and access were good and the lighting was great which was unusual in those days. I really liked this Pied Piper shot and believe it was used on the cover of the Melody Maker. -Barrie WentzellSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

PETE TOWNSHEND, LONDON, 1968His flat near Victoria Station.LINER NOTES I went along with Chris Welch, writer for the Melody Maker, to interview Pete who wanted to tell us about his new idea for a' concept album'. It was a cold and dark day and after much chat about music, art and the guru, Meha Babba he told us about this story of a deaf, dumb and blind kid that he was working on. As I was taking this shot near the window in the failing light, I said that it seemed rather a sad and depressing theme and that I couldn't see how it would be accepted or could become a hit. Shows how much I knew since as destiny was to show, Tommy became The Who's biggest and best success! -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300 STARTING BID $1,300

ROGER WATERS, NORTH LONDON, 1970 At his home in Islington.LINER NOTES I was with Mick Watts, the writer from the Melody Maker doing an interview with Roger in this rather dark and cramped basement flat, illuminated only by one small window looking out onto the backyard. We were sitting round the kitchen table talking, I was taking pictures and Roger was in deep thought about something and about to speak when a black cat suddenly jumped up on the table, sat down and stared intently out of the window. A few seconds later another cat jumped up joined the first and then a third. Then as Roger turned to see what they were observing so intently, 'snap', I got this picture. -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300 STARTING BID $1,300

PATTI SMITH, NEW YORK CITY, 1976Avenging AngelSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,000 - $1,450STARTING BID $825

BRUCE SPRINGSTEEN, NEW JERSEY, 1978Darkness on the Edge of Town, Front Cover, Full FrameLINER NOTES The way it was originally shot and the way it appears on the new Darkness on the Edge of Town deluxe box set.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,700 - $3,600 STARTING BID $2,100

BRUCE SPRINGSTEEN, HADDONFIELD, NJ, 1978The River album coverLINER NOTES This is the shot that Frank called The Sharp Eyes of Truth in his book Days of Hope and Dreams / An Intimate Portrait of Bruce Springsteen. As we've come to learn, this image was actually shot during the Darkness on the Edge of Town sessions. Since The River was a natural progression from Darkness, Bruce chose this shot for the cover.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400 STARTING BID $1,400

BRUCE SPRINGSTEEN, NJ 1978Frank's BarbershopLINER NOTES This photograph graces the cover of Frank Stefanko's book, Days of Hope and Dreams / an Intimate Portrait of Bruce Springsteen.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,800 - $2,400 STARTING BID $1,400

BRUCE SPRINGSTEEN, NEW JERSEY, 1978Darkness on the Edge of Town, Back Cover, Full FrameLINER NOTES The full frame Darkness on the Edge of Town album cover. This is how the photograph looked before it was squared off to fit the album. This is how it looks on the new Darkness deluxe box set.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,700 - $3,600 STARTING BID $2,100

BRUCE SPRINGSTEEN AND THE E STREET BAND, NEW JERSEY, 1978The Sitdown at Shellow'sLINER NOTES This photograph appears in The Essential Bruce Springsteen.SIZE 30 x 40MEDIUM Silver gelatin print.VALUE $2,700 - $3,600 STARTING BID $2,100

PATTI SMITH, NEW YORK CITY, 1974The LookoutSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,000 - $1,450STARTING BID $825

BRUCE SPRINGSTEEN, NEW JERSEY, 1978Among the Cabbage RosesLINER NOTES This photograph is the actual inner sleeve photograph for Darkness on the Edge of Town.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,300 - $1,800STARTING BID $1,050

BRIAN JONES, NEW YORK CITY, 1965Haircut, NBC TV studiosLINER NOTES Brian was very vain about his hair and would have it trimmed at any opportunity; here by the stylist at the NBC make-up department. -Gered MankowitzSPECIFICS Shot with a Nikon F, Kodak Tri-X filmSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $2,000 - $2,700STARTING BID $1,575

JIMI & THE EXPERIENCE, LONDON, 1967Mason's Yard StudioLINER NOTES Shot during my first session with Jimi at my Studio in early 1967; everybody tried to look mean, moody & sexy in those days! -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak Tri-X film.SIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000STARTING BID $1,750

JIMI HENDRIX, LONDON, 1967Blue Smoke, Mason's Yard StudioLINER NOTES Shot during my first session with Jimi at my Studio in early 1967, it was tinted blue for Rolling Stone magazine who used it on the cover of their February 1992 edition. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak Tri-X film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,300 - $3,000STARTING BID $1,750

JIMI HENDRIX, LONDON, 1967Boots - Mason's Yard StudioLINER NOTES Shot during my first session with Jimi at my Studio in early 1967, the boots came from a store called Anello & Davide and every band wore them. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak Tri-X film.SIZE 20 x 24MEDIUM Silver gelatin print.VALUE $2,300 - $3,000 STARTING BID $1,750

KEITH RICHARDS, WEST SUSSEX, 1966Keith and Bentley - RedlandsLINER NOTES Taken at Keith's recently purchased home Redlands as part of a series of at home photos I shot of the whole band. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 80mm lens, Kodak Tri-X film.SIZE 20 x 24MEDIUM Silver gelatin print.VALUE $3,400 - $4,250 STARTING BID $2,625

KEITH RICHARDS, HOLLYWOOD, 1965Hummingbird - RCA Recording studiosLINER NOTES At the end of the Fall 65 tour the band went into RCA Studios to record tracks for the Aftermath album and Keith had his favorite acoustic Hummingbird guitar with him. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 80mm lens, Tri-X film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $2,000 - $2,700 STARTING BID $1,575

MICK JAGGER, LONDON, 1966Mick and Aston MartinLINER NOTES Mick outside his old apartment in a mews off Baker Street; taken as part of the at home series I shot with all members of the band. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 80mm lens, Kodak Tri-X film.SIZE 30 x 40MEDIUM Silver gelatin print.VALUE $3,600 - $4,500 STARTING BID $2,750

THE ROLLING STONES, LONDON, 1965Out Of Our Heads/December's Children, Ormond YardLINER NOTES Shot outside my studio during my first session with the band in March, 1965, this shot became my first cover image for the band. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak Tri-X film.SIZE 30 x 40MEDIUM Archival digital print.VALUE $3,400 - $4,500 STARTING BID $2,600

THE ROLLING STONES, LONDON, 1966Between the Buttons, Primrose HillLINER NOTES An outtake from the Between the Buttons sleeve shoot taken very early one morning after an all-night recording session. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,900 - $3,500 STARTING BID $2,250

ROD STEWART, ANN ARBOR, MICHIGAN, FALL 1969LINER NOTES Rod after his show in Las Vegas and as usual gave it his all and afterwards was spent..1975. -Tom WrightSIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000STARTING BID $600

ROGER DALTREY AND FRIEND, LATE 1967LINER NOTES The Who's Roger Daltrey and friend on the Who's first headline tour in which they had their own tour bus - late 67 -Tom WrightSIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000STARTING BID $600

ROD STEWART, LAS VEGAS, 1975LINER NOTES Rod Stewart leaving the Ann Arbor Holiday Inn heading out for his first photo shoot with me'it was the Faces first tour of U.S. and we all spent the day in the park shooting pictures and drinking wine...then they flew to L.A. and I went back to the Grande and crashed for a couple of days - that was fall of 69. -Tom WrightSIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000STARTING BID $600

PETE TOWNSHEND, 1967LINER NOTES Townshend on Herman's Hermits Tour. taken with handheld rolliflex 2 - 1/4 ektachrome 400 film all the rest were shot with Nikon using tri-x pushed to 1600 and I developed the film in hotel rooms.SIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000 STARTING BID $600

THE BEATLES, LOS ANGELES, AUGUST 23, 1964The Hollywood BowlLINER NOTES Curt Gunther photographed The Beatles, in almost all cases, with a vintage 1964 Nikon F (non-motorized) camera. Curt always used Kodak Tri-X film rated at either ASA 400 or ASA. 1600.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,200 - $1,500STARTING BID $900

THE BEATLES ARRIVE, 1964SIZE 16 x 20VALUE $1,200 - $1,500STARTING BID $900

THE ROLLING STONES, ENGLAND, 1968 Cricket, Beggars Banquet photoshoot, Swarkestone- Derbyshire, June 15LINER NOTES This was another contender to be front cover of the album.SPECIFICS Shot with Nikon 35 mm, KodachromeSIZE 20 x 24MEDIUM Archival digital print.VALUE $3,200 - $4,200STARTING BID $2,450

MICK JAGGER AND KEITH RICHARDS, LONDON, 1968Mick and Keith with Pug, Beggars Banquet photoshoot, June 14SPECIFICS Shot with Hasselblad Superwide 2&1/4 - Kodak Tri-XSIZE 20 x 24MEDIUM Archival digital print.VALUE $4,100 - $5,500 STARTING BID $3,150

THE ROLLING STONES, LONDON, 1968Keith Eating Orange, Beggars Banquet photoshoot, June 14LINER NOTES This rare out-take was recently released by the photographer. SPECIFICS Shot with Sinar 10X8- Ektachrome.SIZE 30 x 40MEDIUM Archival digital print.VALUE $15,600 - $20,500STARTING BID $12,000

THE ROLLING STONES, LONDON, 1968Classic, Beggars Banquet photoshoot, June 14LINER NOTES Michael printed this image overnight and Mick was astounded by how beautiful the image looked, so they decided to use it on the sleeve.SPECIFICS Hasselblad Superwide 2&1/4 - Kodak Tri-XSIZE 30 x 40MEDIUM Archival digital print.VALUE $15,600 - $20,500STARTING BID $12,000

THE ROLLING STONES, ENGLAND, 1968Stones On Ledge, Beggars Banquet photoshoot, Swarkestone-Derbyshire, June 15LINER NOTES This was used on the back of the Hot Rocks compilation album cover.SPECIFICS Shot with Sinar 10X8- EktachromeSIZE 20 x 24MEDIUM Archival digital print.VALUE $4,100 - $5,500STARTING BID $3,150

THE ROLLING STONES, LONDON, JUNE 14, 1968 Into Camera, Beggars Banquet photoshoot, June 14 LINER NOTES The first exposure, a test, hence all looking into camera shown in the National Portrait Gallery Beatles to Bowie show, London, 2009SPECIFICS Shot with Sinar 10X8- EktachromeSIZE 30 x 40MEDIUM Archival digital print.VALUE $4,100 - $5,500 STARTING BID $3,150

THE ROLLING STONES, LONDON, 1968The Banquet, Beggars Banquet photoshoot, June 14LINER NOTES This is the photographer's favorite, a mélange from three out-takes.SPECIFICS Shot with Sinar 10X8- EktachromeSIZE 30 x 40MEDIUM Archival digital print.VALUE $10,400 - $13,500 STARTING BID $8,000

THE BEATLES, RISHIKESH, FEBRUARY, 1968LINER NOTES I'll always love the Beatles. Not just for their music, and the joy and love they transmitted, encouraged, and heralded, but also, as individuals I had the good fortune to meet and like and enjoy. -Paul SaltzmanSPECIFICS Shot with a Pentax 35mm, Ektachrome 64 Film.SIZE 16 x 20MEDIUM C-printVALUE $1,200 - $1,500 STARTING BID $900

JOHN LENNON, RISHIKESH, FEBRUARY, 1968LINER NOTES Recently, Cynthia Lennon and I met for the first time since 1968. She told an interviewer: Paul Saltzman's photos of all of us in India, in 1968, are absolutely beautiful. The photo of John, finger to his ear, is the best picture I've ever seen of John Lennon from the Beatles' era-it speaks volumes. -Paul SaltzmanSPECIFICS Shot with a Pentax 35mm, Ektachrome 64 Film.SIZE 16 x 20MEDIUM C-printVALUE $1,200 - $1,500 STARTING BID $900

THE BEATLES, SCARBOROUGH, ENGLAND, 1964Beatles in Window, Futurist Theatre, August 9LINER NOTES This was taken a week before they departed for their first USA tour. Lennon said to me, Have you got a passport Wrighty. I replied, No. John said, What a shame you could have come with us.-Ian WrightSPECIFICS Yashica-D, 2-1/4 Square Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

BEATLEMANIA, STOCKTON-ON-TEES, ENGLAND, 1963 Globe Theatre, November 22LINER NOTES Girls screaming at the Beatles concert, John said backstage, Great all wetting their knickers eh. -Ian WrightSPECIFICS Press Camera VN, 5x4 Plate Camera, Glass NegativeSIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975STARTING BID $625

THE BEATLES ONSTAGE, SUNDERLAND, ENGLAND, 1963Empire Theatre, February 9LINER NOTES The Beatles were bottom of the bill on a Helen Shapiro tour. -Ian WrightSPECIFICS Press Camera VN, 5x4 Plate Camera, Glass NegativeSIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

JIMI HENDRIX, DARLINGTON, ENGLAND, 1967Imperial Hotel, February 2LINER NOTES The first known professional press portrait taken of Hendrix. -Ian WrightSPECIFICS Yashica-D, 2-1/4 Square, Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

JOHNNY CASH, NEWCASTLE UPON TYNE, ENGLAND, 1967Newcastle City Hall, June 1LINER NOTES Johnny bought the little boy's cowboy outfit in Woolworth's as a gift. -Ian WrightSPECIFICS Yashica-D, 2-1/4 Square, Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

MICK JAGGER, STOCKTON-ON-TEES, ENGLAND, 1964Globe Theatre, September 20LINER NOTES As Harold Evans said, The photograph shows the sheer beauty of youth. Mick was 18, I was 17. -Ian WrightSPECIFICS Yashica-D, 2-1/4 Square, Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

THE ROLLING STONES, STOCKTON-ON-TEES, ENGLAND, 1964Globe Theatre, September 20LINER NOTES Bill Wyman eating exactly what they got paid - peanuts. The angelic Keith Richard who sang in the choir at the Queen's Coronation in 1953. -Ian WrightSPECIFICS Yashica-D, 2-1/4 Square, Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

ROY ORBISON, STOCKTON-ON-TEES, ENGLAND, 1964Odeon Theatre, May 15LINER NOTES Roy was the most gracious of them all. He even interrupted his favorite dinner of a hamburger with cheese to pose for this picture. -Ian WrightSPECIFICS Yashica-D, 2-1/4 Square, Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

JIMI HENDRIX AND THE EXPERIENCE, DARLINGTON, ENGLAND, 1967Imperial Hotel, February 2LINER NOTES At the sound check they blew all the fuses in their amps and in the hotel. Their manager Chas Chandler was beside himself. -Ian WrightSPECIFICS Yashica-D, 2-1/4 Square, Tri-X Film, ASA 400SIZE 16 x 20MEDIUM Archival digital print.VALUE $800 - $975 STARTING BID $625

CROSBY, STILLS & NASH, LOS ANGELES, 1969LINER NOTES We found an old couch in front of an abandoned house to take this photo. It became their first album cover. -Henry DiltzSIZE 20 x 30MEDIUM Archival digital print.VALUE $2,100 - $4,000STARTING BID $1,600

KEITH RICHARDS, MIDWEST AIRPORT, 1979 Limo Drivers, New Barbarians TourLINER NOTES On tour with the New Barbarians (Ron Wood's solo album promo tour). Keith is just off the private jet looking for his designated limo to the hotel. -Henry DiltzSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,200 - $1,900 STARTING BID $900

THE WHO, MONTEREY, CA, 1967Monterey Pop FestivalLINER NOTES First time America had seen the famous instrument wrecking scene. The sound guy is trying to rescue the microphones. -Henry DiltzSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $650 - $1,500STARTING BID $500

THE DOORS, LOS ANGELES, 1969 Hard Rock Café, Skid RowLINER NOTES Jim wanted to get a drink. We found a little bar full of winos called the Hard Rock Café. -Henry DiltzSIZE 20 x 30MEDIUM Archival digital print.VALUE $1,200 - $1,800STARTING BID $950

KEITH RICHARDS, MIDWEST AIRPORT, 1979Whiskey, New Barbarians TourLINER NOTES Keith was waiting by his limo to the hotel for Woody (Ronnie Wood) to join him. -Henry DiltzSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,500 - $3,200 STARTING BID $1,200

KEITH RICHARDS AND RONNIE WOOD, AIRBORN OVER CALIFORNIA, 1979New Barbarians Tour,LINER NOTES Lear Jet from LA to San Diego. Going to the last concert of the three week tour in a four passenger jet. -Henry DiltzSIZE 30 x 40MEDIUM Archival digital print.VALUE $3,900 - $6,500 STARTING BID $3,000

THE BEATLES, MIAMI BEACH, 1964Feet of the BeatlesSIZE 30 x 40MEDIUM Archival digital print.VALUE $10,400 - $12,000STARTING BID $8,000

KEITH RICHARDS, NEW YORK CITY, 1988 On the Street, Lucky TruckSIZE 16 x 20MEDIUM Archival digital print.VALUE $1,900 - $2,300STARTING BID $1,450

BRUCE SPRINGSTEEN, NEW JERSEY, 1978 HubcapsSIZE 20 x 24MEDIUM Archival digital print.VALUE $4,400 - $5,750STARTING BID $3,375

THE BEATLES, NEW YORK CITY, 1964Long shot, dress rehearsal at The Ed Sullivan Show, February 9.LINER NOTES The Beatles play The Ed Sullivan Show, the first of three consecutive Sundays the Fab Four appeared on the program. These performances were considered landmark moments in popular culture, effectively marking the beginning of the British Invasion. - Ken ReganSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,100 - $1,500STARTING BID $875

MICK JAGGER, MONTAUK, NY, 1975LINER NOTES On the beach, I had Mick Jagger all to myself; I roamed the dunes with just him and a camera, which was very cool. (We shot a People cover of Mick at Warhol's house). The band could not have been more unguarded and open. As I got to know Mick, he revealed his witty, clever, fun side. - Ken ReganSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,600 - $2,100STARTING BID $1,250

THE BEATLES, NEW YORK CITY, 1964JFK Airport, February 7LINER NOTES On February 7, 1964, The Beatles simultaneously touched down on US soil and touched off a revolution that would transform popular culture. When Pan Am flight 101 landed at JFK International Airport, I was there for Time, along with some 15,000 kids corralled on terminal rooftops, to witness the launch of the British Invasion. - Ken ReganSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,100 - $1,500STARTING BID $875

J.J. JOHNSON, HACKENSACK, NJ, 1955Van Gelder Recording StudioLINER NOTES Francis Wolff was a master of the candid portrait. This image of J.J. Johnson, with the perfect use of shadow and composition, is an excellent example of his work.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety FilmSIZE 15 x 15MEDIUM Silver gelatin print.VALUE $1,100 - $1,800STARTING BID $900

SONNY ROLLINS, HACKENSACK, NJ, 1957Van Gelder Recording StudioLINER NOTES This iconic image of Sonny Rollins wearing shades with tenor sax in hand became, in a tight crop, the cover shot for the album that resulted from this session entitled Newk's Time.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety FilmSIZE 15 x 15MEDIUM Silver gelatin print.VALUE $1,100 - $1,800STARTING BID $900

BOB DYLAN, LIVERPOOL, ENGLAND, 1966Bob felt great in Liverpool. The scenery, the houses, the open spaces were wonderful. He got all athletic throwing all these rocks around. I said, 'It's Bowling For Dollars!' He loved these kids. He was compassionate to them. They were like waifs. It was the day of the FA Cup Final, 14 May (Everton v Sheffield Wednesday). I asked if he wanted a photo with them and he said sure, so we found a doorway of this old warehouse. The kids were just playing in the street; they just got in there wherever they could stand. They posed themselves and it became a famous picture.-Barry FeinsteinSIZE 30 x 40MEDIUM Silver gelatin print.VALUE $5,200 - $7,000STARTING BID $4,060

BOB DYLAN, AUST, ENGLAND, 1966LINER NOTES 11 May, waiting at the Aust Ferry Terminal near Bristol to go to Cardiff in Wales. They chose this shot for the cover of Scorsese's No Direction Home CD and DVD. It's one that Bob likes as it told it all. It has depth, he looked cool. I guess he felt it represented the moment to him. Just waiting for the ferry and it turned out to be a good picture.-Barry FeinsteinSIZE 30 x 40MEDIUM Silver gelatin print.VALUE $5,200 - $7,000STARTING BID $4,060

PAUL MCCARTNEY, SHINE ON, 2002LINER NOTES Collage with lyrics to Let It Be superimposed over photograph.Hand-signed by Paul McCartney.SIZE 39.25 x 26.25MEDIUM Archival digital print on foil.VALUE $3,200 - $4,000STARTING BID $2,500

PAUL MCCARTNEY, MY DREAMS TONIGHT, 2002LINER NOTES Collage with lyrics to The End superimposed over photograph.Hand-signed by Paul McCartney.SIZE 39.25 x 26.25MEDIUM Archival digital print on foil. VALUE $3,200 - $4,000STARTING BID $2,500

PAUL MCCARTNEY, CLUTCHING HER HANDKERCHIEF, 2002LINER NOTES Collage with lyrics to She's Leaving Home superimposed over photograph.Hand-signed by Paul McCartney.SIZE 39.25 x 26.25MEDIUM Archival digital print on foil.VALUE $3,200 - $4,000STARTING BID $2,500

PAUL MCCARTNEY, FUNNY PAPER, 2002LINER NOTES Collage with lyrics to Carry That Weight superimposed over photograph.Hand-signed by Paul McCartney.SIZE 39.25 x 26.25MEDIUM Archival digital print on foil. VALUE $3,200 - $4,000STARTING BID $2,500

PAUL MCCARTNEY, THE THROAT SPECIALIST, 2002LINER NOTES One of the very few times in Paul's entire career that he had to cancel a show due to illness. The show was rescheduled and ticket holders were offered their money back. Less than 40 of the 12,000 took up the offer.Hand-signed by Paul McCartney.SIZE 27.5 x 19.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

PAUL MCCARTNEY, FLUTTERFETTI FINALE, 2002Hand-signed by Paul McCartney.SIZE 27.5 x 19.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

JOHN LENNON & YOKO ONO, LONDON, 1968LINER NOTES In what seems unbelievable today, I showed up at John's house alone and walked through an unlocked door. Yoko and John were still upstairs asleep. When they came down we went outside and took these photos. I never saw anyone else while I was there, a sleepy weekend morning.- Ethan RussellSIZE 20 x 24MEDIUM Platinum print.VALUE $3,500 - $4,500STARTING BID $2,750

MICK JAGGER, 1972LINER NOTES This photo was taken right after make-up and before going on stage. Most people, it seems (and much to my amazement) don't want it to be about make-up but instead about Mick being wasted. In fact, I was confronted by one zealous gallery goer who seemed disgusted by my simple explanation, clearly convinced he knew better. Who was I kidding' Ah, well.- Ethan RussellSIZE 20 x 24MEDIUM Platinum print.VALUE $3,500 - $4,500STARTING BID $2,750

KEITH RICHARDS, PATIENCE PLEASE, 1972One of the great rock photos of all time. -San Francisco Chronicle. LINER NOTES I was traveling with the Rolling Stones, watching from the sidelines, when I noticed the sign. I called Keith over and took two quick snaps. The Customs officer threatened to confiscate the film, so I retired quickly. I knew what I had.- Ethan RussellSIZE 30 x 40MEDIUM Platinum print.VALUE $8,400 - $11,000STARTING BID $6,500

HERMAN LEONARD, 21ST EDITION PLATINUM, 1940SLINER NOTES In the late 1940's, Herman Leonard's passion for Jazz brought him to the swinging clubs of Broadway, 52nd Street and Harlem. With the camera as his free ticket, he photographed and developed friendships with some of the greats of Jazz history including Charlie Parker, Dizzy Gillespie, Billie Holiday, Duke Ellington and many more.A year's apprenticeship with Yousuf Karsh provided invaluable experience photographing the likes of Albert Einstein, Harry S. Truman and Clark Gable. In 1956 Leonard was chosen to be Marlon Brando's personal photographer for an extensive research trip to the Far East. In the late 1950's Leonard headed for Paris where he worked in fashion and advertising and served as the European photographer for Playboy Magazine.The Smithsonian Institution in Washington DC has honored him by housing an entire collection of his personal archives of musical history. President Clinton presented a portfolio of Leonard's prints as an official gift from the United States government to a fellow musician, The King of Thailand. The Jazz photographs of Herman Leonard appear as a companion to the great musicians who created the unique sounds of America's original art form.ACCOLADES The book won a Lucie Award in 2010.BOOK DETAILS Bound in Japanese marbled silk and goatskin leather, is signed by Herman Leonard, Quincy Jones (Introduction), and Steven Albahari (Afterword), and includes more than 60 iconic photographs of Jazz greats such as Louis Armstrong, Duke Ellington, Dizzy Gillespie, Billie Holiday, Charlie Parker, and many others.EDITION of 40 numbered and 10 lettered copies.BOOK INCLUDES 12 platinum prints (each signed on the mount), three of which are loose for framing: Dexter Gordon, Duke Ellington, and Lester Young's Hat. INCLUDES 12 Platinum 11 x 14 prints.HANDCRAFTED in the United States.MEDIUM Book & platinum prints.VALUE $10,400 - $11,000STARTING BID $8,000

ROBERT PLANT, KEZAR STADIUM, SAN FRANCISCO, 1973LINER NOTES I was on stage at Kezar Stadium, San Francisco, '73. It was an outdoor gig during daylight. At the back of Bonzo's set up, there was this big cage with I guess a dozen white doves that were to be released at the end of Stairway to Heaven. They let them go and one dove flew off and came right back and landed right in Robert's hand as he was standing there. It's fortunate that I happened to be standing in a position where he was facing me and I happened to have the right lens on the camera, and bingo. -Neal PrestonSPECIFICS This special print is the first in an edition of 20. (1/20)SIZE 16 x 20 MEDIUM Platinum print 1/20.VALUE $4,500 - $6,000STARTING BID $3,500

JIMMY PAGE, INDIANAPOLIS, 1975LINER NOTES I had a Nikon with a 24mm lens on my lap, and I was going to say something to Jimmy and I saw the bottle move toward his mouth and I picked up the camera, shot one frame, and I didn't know if he even realized I was there shooting it. -Neal PrestonSPECIFICS This special print is the first in an edition of 20. (1/20)SIZE 16 x 20 MEDIUM Platinum print 1/20.VALUE $4,500 - $6,000STARTING BID $3,500

LED ZEPPELIN, PROOF SHEET, 1970sThis proof sheet is made up of various frames from different rolls. There are seven strips of film in chronological order from 1970 to 1977.SIZE 36 x 48MEDIUM Archival digital print.VALUE $4,000- $5,500STARTING BID $3,150

BOB MARLEY, SANTA MONICA, CA, 1979SIZE 30 x 40 MEDIUM Archival digital print.VALUE $9,000 - $12,000STARTING BID $7,000

MICHAEL JACKSON, ENCINO, CA, EARLY 1970SLINER NOTES These images were from a session in the early 70s at the Jackson home in Encino, California. Preston periodically shot Jackson and his brothers at their home for fan magazines. At the time, the Jackson 5 already had recorded four #1 hits.SPECIFICS Box SetMEDIUM Includes three previously unreleased archival digital prints.SIZE 16 x 20VALUE $4,500 - $6,000STARTING BID $3,500

EVERYTHING CHANGES BOX SETLINER NOTES Trying to capture a visual sense of Music, or the story of a song we can all relate to... -Julian LennonSPECIFICS Contains 16 archival digital prints.SIZE 20 x 20 eachVALUE $6,800 - $9,000STARTING BID : $5,250

DEBBIE HARRY AND ANDY WARHOL, NEW YORK CITY, 1980 Shot at the Second Factory on Union Square, Debbie sitting for her portraitSPECIFICS Shot on film with a 35mm Nikon FM or Nikon F.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,400 - $1,800STARTING BID $1,100

DEBBIE HARRY AND IGGY POP, 1977 Debbie and Iggy, shot backstage during the Idiot Tour, 1977SPECIFICS All these are shot on film with a 35mm Nikon FM or Nikon F.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

DEBBIE HARRY, NEW YORK CITY, 1979 Debbie pink dress, shot at the Gramercy Park Hotel.SPECIFICS Shot on film with a 35mm Nikon FM or Nikon F.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

BJÖRK, COVENT GARDEN, LONDON, DATE UNKNOWNBjörk in Spaces, Dave Stewart's apartment in Seven Dials.LINER NOTES I made one of the bedrooms in my apartment covered in silver foil and Björk would spin around in different angles and twist about. I shot her from on top of a ladder. Every shot seemed to work so I decided to make the contact sheet a 5x5ft print. I was shooting Björk for the cover of a magazine. We did lots of different set-ups.-Dave StewartSPECIFICS Rolleiflex large format; negatives are 6x6, Fuji FilmSIZE 20 x 24MEDIUM Archival digital print.VALUE $1,300 - $1,800STARTING BID $1,050

MICK JAGGER, COVENT GARDEN, LONDON, DATE UNKNOWNJumpin' Jack Flash, in the kitchen of Dave's apartment in Seven Dials.LINER NOTES Mick came around my apartment and I had hired a thunderous cloud backdrop to be hung against one wall. I had a wind machine and I kept getting Mick to jump towards me, he must have done it about 100 times. He didn't even break a sweat.-Dave StewartSPECIFICS Rolleiflex large format, negatives are 6x6 and Fuji FilmSIZE 60 x 60MEDIUM Archival digital print.VALUE $2,700 - $3,600STARTING BID $2,100

LOU REED AND LAURIE ANDERSON, TRIBECA, NEW YORK, DATE UNKNOWNMind Meld, Dave's rented loft apartment in Tribeca, NY LINER NOTES I'd been hanging around a lot with Lou Reed and we became great friends often meeting for breakfast, dinner, looking at guitar shops. I would go to his apartment and he would come see me in the studio while I was making my album Greetings from the Gutter, which Damien Hurst did the artwork for. Lou and Laurie Anderson had not long met and sometimes dinner would just be me, Laurie, and Lou and it was an amazing experience watching them fall in love with each other's minds. This is a candid shot from the other side of the dinner table. We were so comfortable with each other that this photo captures the magic between us.-Dave StewartSPECIFICS PolaPan 35mm film; shot on Nikkormat in very low lightSIZE 20 x 24MEDIUM Archival digital print.VALUE $1,300 - $1,800 STARTING BID $1,050

MICK JAGGER, COVENT GARDEN, LONDON, DATE UNKNOWNSecond Performance, Dave Stewart's apartment in Seven DialsLINER NOTES Mick came by my apartment and I had a friend of mine and her friend in the bath drinking wine and I asked Mick to stand in the shot and look bored or read a book. I was hinting at the fact that lots of water had passed under the bridge since the movie Performance.-Dave StewartSPECIFICS Nikon Nikkormat 35mm Camera using Polograph and processing the Polograph myself. I was also shooting on a different camera with a Polaroid back to test the lighting. After the shoot, I found this photograph on the bathroom floor. I liked the Polaroid edge and the positive image, so I married the two together. SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,300 - $1,800 STARTING BID $1,050

CROSBY, STILLS, NASH & YOUNG, MAUI, 1973 LINER NOTES The four of us were in Neil's house that he had rented on the beach there in Hawaii. We had been working on an album that was going to be called Human Highway. It had fabulous songs in it which later appeared on David's record and Stephen's records. The last day we were there, I realized that we didn't have any image of that moment. I also thought we might need an album cover, so I borrowed Stephen's Hasselblad, because I wanted it to be a big format. I worked out the exposure in my mind. I set it down in the sand, looked through the viewfinder, composed the picture, had the boys go into the picture, and I knew where I would be standing. I had my friend Harry Harris, who was the builder of my house in San Francisco, press the trigger. There was only one shot. -Graham NashSPECIFICS Shot with a Hasselblad.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

DAVID CROSBY & CHRISTINE HINTON, HOLLYWOOD, 1969LINER NOTES David and Christine listening to the first playback of Suite: Judy Blue Eyes at Heider Studios.-Graham NashSIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

JONI MITCHELL, LOS ANGELES, 1969LINER NOTES That's Joni listening to Clouds, which was the album that she was making at the time. She was listening to an acetate of her record prior to the release to make sure everything was right. Even though I was living with Joni, I didn't want her to know why I was taking the image. I'm actually shooting through one of those kitchen table chairs that have a hole in the top where you put your hand in to lift the chair. That's why you only see her partial face. My God, isn't she beautiful'-Graham NashSIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

JONI MITCHELL, LOS ANGELES, 1969LINER NOTES I shot this picture of Joni Mitchell in her Laurel Canyon home that we shared. She's examining the cover for her album Clouds that she'd just finished painting. -Graham NashSIZE 20 x 24MEDIUM Archival digital print.VALUE $2200 - $3000STARTING BID $1750

JOHNNY CASH, NASHVILLE, 1969LINER NOTES Johnny Cash, the man in black, taken when Bob Dylan and Joni Mitchell were appearing on The Johnny Cash Show.-Graham NashSIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

NEIL DRIVING HOME, BROKEN ARROW RANCH, CA, 1988LINER NOTES That's Neil Young driving home to his ranch at Broken Arrow. We were recording the American Dream album. I'm in the limousine with David [Crosby] and Steven [Stills] behind him. Neil, of course, wasn't in the car with us. It's Neil. He has an English sports car. I think it's called a Jensen. I saw him driving along this lonely road and I thought, This is a perfect image of Neil Young. And even though you can't see Neil, except the back of his head, it is in fact Neil. -Graham NashSIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

PAUL BUCHANAN, THE BLUE NILELINER NOTES One of My all time favorite Singers/Artists, caught between here, and there...-Julian LennonSIZE 16 x 20MEDIUM Archival digital print.VALUE $1,270 - $1,700STARTING BID $975

BONO, 2010 LINER NOTES A man of strength, dignity & insight... There aren't many you can take a blurry picture of, from a significant distance & know exactly who they are...-Julian LennonSIZE 16 x 20MEDIUM Archival digital print.VALUE $2,300 - $3,000STARTING BID $1,750

GEORGE HARRISON, ISLE OF SKYE I, 1971LINER NOTES On the ferry to the Isle of Skye. - Pattie BoydSPECIFICS Shot with a Nikon camera using 35mm film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,040 - $1,300STARTING BID $800

GEORGE HARRISON, ISLE OF SKYE II, 1971LINER NOTES Visiting Donovan for the weekend. - Pattie BoydSPECIFICS Shot with a Nikon camera using 35mm film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,950 - $2,700STARTING BID $1,500

RUN DMC & POSSE, HOLLIS, QUEENS, NY, 1984LINER NOTES Commissioned by the British style magazine The Face for a story about the New York Hip Hop music scene. I took the subway to Hollis, Run met me at the station and we walked over to the tree lined street where he lived. A group of their friends were hanging out in the shade by a car, the dappled sunlight hitting their sneakers, it seemed like a nice neighborhood.- Janette BeckmanSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,460 - $1,900STARTING BID $1,125

KURT COBAIN: STANDING WITH EVIAN BOTTLE, 1993SIZE 30 x 40MEDIUM Archival digital print.VALUE $3,900 - $5,000STARTING BID $3,000

KURT COBAIN CONTACT SHEETS, 1993SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,500 - $3,100STARTING BID $1,875

NIRVANA B, 199320 x 24MEDIUM Archival digital print.VALUE $2,400 - $3,100STARTING BID $1,875

QUEEN II COVER, LONDON, 1974Mick Rock's Great Newport Street Studio.SPECIFICS Shot with Hasselblad, Ektachrome 120mm.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,200 - $3,000STARTING BID $1,750

SYD BARRETT, LONDON, 1969With Record Player In His Apartment, Wetherby Mansions.SPECIFICS Shot with Pentax, Ektachrome 35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

IGGY POP, LONDON, 1972Back Bend, Raw Power Session, La Scala.SPECIFICS Shot with Nikormatt, Trix-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

SYD BARRETT, 1969Lying On Car, Earls Court Square, London, SPECIFICS Shot with Pentax, Trix-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

DAVID BOWIE, SUMMER, 1973Praying By Windows, Scotland, SPECIFICS Shot with Nikormatt, Trix-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

DEBBIE HARRY, 1978Smile Art Multiple from Session, New York City, SPECIFICS Shot with Hasselblad, Ektachrome 120mm.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,300 - $3,000STARTING BID $1,750

DAVID BOWIE, 1973Make Up Close-Up, Last Ziggy Stardust UK Tour.SPECIFICS Shot with Nikormatt, Trix-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

DAVID BOWIE, IGGY POP, LOU REED, LONDON, 1972 Dorchester Hotel, London.SPECIFICS Shot with Nikormatt, Trix-35mm film.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,300 - $3,000STARTING BID $1,750

DAVID BOWIE, LONDON, 1973Sax close-up 2, outtake from Pin Ups back cover session.SPECIFICS Shot with Hasselblad, Ektachrome 120 mm.SIZE 20 x 24MEDIUM Archival digital print.VALUE $2,300 - $3,000STARTING BID $1,750

LOU REED, MICK JAGGER, DAVID BOWIE, LONDON, 1973Ziggy Farewell Party, Café Royale.SPECIFICS Shot with Nikormatt, Trix-35mm film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

RAY CHARLES, CULVER CITY, CALIFORNIA, 1991LINER NOTES I had photographed Ray many times. My assistant always recorded new music for our shoots so that both the crew and subjects were entertained. This particular day he had found some early Ray recordings. Ray was blown away by how obscure it was, and reacted in the photo to hearing some of his old musician friends on the record. - Timothy WhiteSPECIFICS Camera: RZ67 Film: TransparencySIZE 30 x 40MEDIUM Archival digital print.VALUE $2,600 - $4,200STARTING BID $2,000

MICHAEL JACKSON, NEW YORK CITY, 1994LINER NOTES This was shot for Michael's History album cover. We had been shooting all day and I moved in to do close-ups of his body...hands, arms, the back of his body... I then came in tight on his face which revealed his surgeries and mask like appearance. - Timothy WhiteSPECIFICS Camera: RZ67 Film: Tri-x B&W Neg.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

JON BON JOVI, LONDON, 1988LINER NOTES This was for the cover of Rolling Stone magazine. I had been waiting in my hotel room in London for the band to decide what day they would come to the studio for the shoot. I had been watching TV waiting for an inspiration for the cover shot, when I saw an ad for this horse from a circus that was in town. The band had just recorded Wanted: Dead or Alive and I thought the horse was a perfect match with the cowboy theme. - Timothy WhiteSPECIFICS Camera: Hasselblad Film: TransparencySIZE 20 x 24MEDIUM Archival digital print.VALUE $1,500 - $2,400STARTING BID $1,200

STEVIE WONDER, LOS ANGELES, AUGUST, 1974LINER NOTES I photographed Stevie Wonder during a rehearsal session in Los Angeles not far from the Hyatt House where we met up. He was most gracious during the session and I tried several different angles finally moving in really close with a 16mm extreme wide angle lens inches from his fingers on the keyboard. Using large powerful electronic flash pointed into white umbrella reflectors I was able to light him while keeping the background very dark. You can just make out some of the electronic controls in the background.- Al SatterwhiteSIZE 36 x 54MEDIUM Archival digital print.VALUE $7,400 - $9,500STARTING BID $5,750

JONI MITCHELL, LOS ANGELES, 1975SIZE 22 x 28MEDIUM Archival digital print.VALUE $2,700 - $3,00STARTING BID $2,100

THE BAND, WOODSTOCK, NY, 1969Group shot for the album Stage Fright.SIZE 38 x 50MEDIUM Archival digital print.VALUE $5,800 - $8,000STARTING BID $4,500

TINA TURNER, LOS ANGELES, 1983Tina Turner Sequence for the album Private Dancer.SIZE 30 x 72MEDIUM Archival digital print.VALUE $7,200 - $9,600STARTING BID $5,600

CARLY SIMON, LOS ANGELES, 1974For the album Playing Possum.SIZE 22 x 28MEDIUM Archival digital print.VALUE $2,700 - $3,600STARTING BID $2,100

ROBERT MAPPLETHORPE AND PATTI SMITH, NEW YORK CITY, 1969SIZE 38 x 50MEDIUM Archival digital print.VALUE $5,800 - $8,000STARTING BID $4,500

ROBERT MAPPLETHORPE AND PATTI SMITH, NEW YORK CITY, 1969SIZE 22 x 28MEDIUM Archival digital print.VALUE $2,700 - $3,600STARTING BID $2,100

KEITH RICHARDS & MICK JAGGER, LOS ANGELES, 1972Exile on Main Street album shootSIZE 22 x 28MEDIUM Archival digital print.VALUE $2,700 - $3,600STARTING BID $2,100

TUPAC SHAKUR, NEW YORK CITY, 1993SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

JACK JOHNSON, OAHU, 2003SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,100 - $1,600STARTING BID $900

NEIL YOUNG, BROKEN ARROW RANCH, WOODSIDE, CA, 2007SIZE 20 x 24 MEDIUM Archival digital print.VALUE $1,100 - $1,600STARTING BID $900

BRUCE SPRINGSTEEN & THE E STREET BAND, ATLANTA, 2007SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

BRUCE SPRINGSTEEN & CLARENCE CLEMONS, ATLANTA, 2007SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

TOM WAITS, SANTA ROSA, CA, 2004SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,100 - $1,600STARTING BID $900

RADIOHEAD, LIBERTY STATE PARK, NJ, 2001SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

JOE STRUMMER, LONDON, 1985LINER NOTES Joe Strummer and Mick Jones were secretly working together again on what would become the soundtrack to Sid and Nancy, the film by Alex Cox. Joe and I were waiting in the street outside Mick's house in London before we went to the studio. I bet Joe we could do a whole photo session and develop the film before Mick even woke up. I shot some Polaroid 35 mm slide film took out my little portable developer and produced the shots right there on the pavement. Proof of the alchemy when silver and chemicals are combined with the spirit of the man and $5 dollar sunglasses.-Josh CheuseSIZE 16x 20MEDIUM Archival digital print.VALUE $850 - $1,150STARTING BID $665

M.I.A., MONTREAL, SEPTEMBER, 2007After her performance at the Osheaga Festival. SIZE 30 x 30MEDIUM Archival digital print.VALUE $3,100 - $3,750STARTING BID $2,400

THE EDGE, POINT DEPOT, DUBLIN, 1988LINER NOTES During the filming of the U2 film Rattle and Hum.SPECIFICS Taken with 120 Kodak film in Hasselblad camera.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

ALBERT KING, PITTSBURGH, PA, 1979LINER NOTES This photo was taken in a small, rough and tumble club in Pittsburgh where I saw many great Blues artists. King was a big man and his physical presence alone was impressive. Add to that his fierce guitar tone and the smoky vocals and you have a Blues giant. -Joe RosenSPECIFICS Shot on a Leica M3, 50mm lens, Ilford HP5 film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $800 - $1,100 STARTING BID $625

LES PAUL, MAHWAH, NJ, 1995LINER NOTES This photo was done for the Arts & Leisure section of the New York Times, on the occasion of Les' 80th birthday. The shoot was in the basement studio of his home. Among many historic objects and innovations there, he had a larger than life size photo of himself at age 15. As soon as I saw it, I knew I wanted to shoot him in front of it. I wasn't entirely sure he'd like the idea. I did several other photos to be sure I was well covered. I then asked if we could do one more photo; Les Paul at 80 with Les Paul at 15. He said, wait a minute, and disappeared. He returned with the same guitar (w/a new neck), the same harmonica and the same rack, 65 years later! He loved the idea! It ran very big in the Sunday Times. Many folks think it is a montage created in PhotoShop, but it's a straight, unmanipulated photograph. -Joe RosenSPECIFICS Shot on a Canon EOS-1, 24-70mm lens, Ilford FP4 film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $800 - $1,100 STARTING BID $625

RED BOBSIZE 13 x 19MEDIUM Archival digital print of original canvases.VALUE $900 - $1,200 STARTING BID $700

TOM WAITS, 1976Outtakes from the album cover shoot for Waits' 1976 album, Small Change. SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,400 - $1,900STARTING BID $1,100

VAN MORRISON, 1968Album cover for Van Morrison's 1968 album Astral Weeks.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,400 - $1,900STARTING BID $1,100

TOM WAITS, 1976Outtakes from the album cover shoot for Waits' 1976 album, Small Change. SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,400 - $1,900STARTING BID $1,100

NEIL YOUNG, PASSING AN OLD WOMAN, NEW YORK CITY, JUNE, 1970LINER NOTES Chosen by Neil for his After the Gold Rush album cover-solarized.SPECIFICS Shot with a 35mm Asahi Pentax Spotmatic, Pentax 28mm f/3.5 lens, using Kodak Tri-X film.SIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,700 - $2,300STARTING BID $1,300

BLIND FAITH, LONDON, JULY, 1969Ric Grech, Ginger Baker, Steve Winwood and Eric Clapton near Olympic Studios.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

SON HOUSE, NEWPORT FOLK FESTIVAL, JULY, 1966Blues guitarist and singer Eddie James 'Son' House.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

BRUCE SPRINGSTEEN AND THE E STREET BAND, AUGUST 29, 1973SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

BIG JOE WILLIAMS, NEW YORK CITY, MAY, 1966Detail of the hands and guitar of Blues great Big Joe Williams recording for Moe Asch's Folkways Records.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

BRUCE SPRINGSTEEN, THE JERSEY SHORE, AUGUST 29, 1973SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,300 - $1,700STARTING BID $1,000

DEAD ON THE STEPS, SAN FRANCISCO, 1967LINER NOTES My first story for Rolling Stone was the Grateful Dead bust. The cops came into the band's house and arrested several of them. The entire band wasn't at home at the time so the cops couldn't bust them all or they would have. And that bust was one of the lead stories in the first issue of Rolling Stone. After the press conference Jann [Wenner, co-founder Rolling Stone] asked me to get a group shot of the band on the steps of their house. I suggested they pose for me outside. They asked me, Who are you' I said, I'm Baron from Rolling Stone. They replied, What's Rolling Stone. The band members didn't know what Rolling Stone was (the first issue had yet to be published) so it was really hard to get them to cooperate; at that point I think most of them didn't even knew who I was. When they came out, they wouldn't settle down, pointed their guns this way and that, flipped me the bird, threatened to kill me. It was all great fun for them but at the moment not for me. In the end I did get one great shot. I call it Dead On The Steps. And so ended my first real assignment for Rolling Stone. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X film SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $900 - $1,150STARTING BID $700

JERRY GARCIA, THE GRATEFUL DEAD, SAN FRANCISCO, 1969LINER NOTES Jerry Garcia, on the other hand, was as outgoing as could be; he was having a great time. You can see from the pictures he enjoyed the experience. What subsequently turned out to be the most intriguing moment, however, came when Jerry smiled and held up his open right hand, and I shot the picture I now call Jerry Waving. I didn't think anything of it when I clicked the shutter but when I printed it I kept trying to do with my finger what he had apparently done with his finger; I thought he had just been fooling around, bending his finger backwards or forwards or something, but I couldn't make it happen on my hand. It was a long time before I learned that his brother had actually chopped off a piece of his finger when they both were quite young. Jerry usually kept that missing digit out of sight. Most people, even his fans, didn't know about it and here he was, holding it up for the world to see and for me to photograph. I remember that moment as another photographic gift, this time from Jerry Garcia to me. -Baron WolmanSPECIFICS Hasselblad and Tri-X filmSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $900 - $1,150 STARTING BID $700

IKE & TINA TURNER, SAN FRANCISCO, 1967LINER NOTES One of the early assignments I had for Rolling Stone (Issue Number Two) was to photograph Ike & Tina Turner in a little San Francisco club, a very well known club called the Hungry i. At the Hungry i the stage was low, no higher than a table, around three feet. Guests could slide right up to the front of the stage as I did, with nobody hassling you, no two song minimum or any of that nonsense. This was what was so important in those early days, having this kind of intimacy and access - not just backstage access. I'm not talking about big stage access, but in small clubs where you could walk right up to the stage. -Baron WolmanSPECIFICS Nikon F camera, 35mm format, Tri-X filmSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $900 - $1,150STARTING BID $700

THE BEATLES, PERTHSHIRE, SCOTLAND, 1964The Beatles under umbrellas at a hotel in Perthshire, Scotland.SIZE 30 x 40MEDIUM Archival digital printVALUE $2,700 - $3,600 STARTING BID $2,100

GEORGE HARRISON, CHISWICK PARK, ENGLAND, 1966Way Out: Recording session for the pop video Rain.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,000STARTING BID $1,250

THE BEATLES, LONDON, 1965Four Heads at Sheriff Road Studio.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,200STARTING BID $1,250

THE BEATLES, MUNICH, 1966The Beatles on stage in Munich, Germany.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,200STARTING BID $1,250

THE BEATLES, CLIVEDEN, ENGLAND, 1965The Beatles during the shooting of the film Help.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,200STARTING BID $1,250

LENNON FAMILY, ENGLAND, 1965John, Cynthia and Julian at home.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,200STARTING BID $1,250

THE BEATLES, QUEENS, NY, 1965The Beatles at Shea Stadium.SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,600 - $2,200STARTING BID $1,250

SIMON AND GARFUNKEL, MONTEREY POP FESTIVAL, CA, JUNE, 1967LINER NOTES Seeing Art and Paul on stage at Monterey was a throwback experience, and unlike many other bands, they were well known already then. The new San Francisco sounds and the polished but innovative LA bands were more cutting-edge at this moment, but Paul and Art put on a great show with their folk music sound and sweet voices. Paul was one of the organizers of the festival and was amazed by many of the new performers, especially Janis Joplin, Jimi Hendrix and Otis Redding. -Elaine MayesSPECIFICS Shot with a Nikon F 35mm analog camera, TriX film.SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,000 - $1,450 STARTING BID $850

JIMI HENDRIX, LONDON, 1967Smoking Color Triptych, Mason's Yard StudioLINER NOTES Shot during my first session with Jimi at my Studio in early 1967, this triptych was created in colour from the original black & white by me around 2003 for an exhibition. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak Tri-X film.SIZE 30 x 40MEDIUM Archival digital print.VALUE $7,500 - $9,500 STARTING BID $5,800

GRACE JONES I, PARK WEST THEATER, CHICAGO, OCTOBER 13, 1978 SPECIFICS Shot with Nikon Film Camera, 35mm B&W Film.SIZE 16 x 20MEDIUM Silver gelatin prints.VALUE $800 - $1,100STARTING BID $625

GRACE JONES II, PARK WEST THEATER, CHICAGO, OCTOBER 13, 1978 SPECIFICS Shot with Nikon Film Camera, 35mm B&W Film.SIZE 16 x 20MEDIUM Silver gelatin prints.VALUE $800 - $1,100STARTING BID $625

ELTON JOHN, NORTH LONDON, 1973Sundown Theatre, EdmontonLINER NOTES Bryan Forbes, the English filmmaker and neighbor of Elton's came along to this gig and filmed the performance, so at least there was good lighting and Elton was in great form. He was performing Crocodile Rock in this picture. I'd done Elton's first photo shoots as a solo performer after he left Long John Baldry's band and had a hard job to get him to loosen up. A couple of years later he was doing acrobatics at his piano, which would have made Jerry Lee Lewis envious. Ed Careff, a photographer whom I admired, inspired this jump shot. Elton showed me some of Ed's photos from his first American tour and there was this great shot of him jumping. I was playing and just started having fun letting go, he later said.-Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300STARTING BID $1,300

DIANA ROSS, LONDON, 1965BBC StudiosLINER NOTES I was at the BBC studios to shoot some pictures during the taping of the weekly TV show 'Top of the Pops and had popped up to the rooftop bar during a break. Diana was sitting at a table talking to a reporter from the Melody Maker and I asked her if it was okay to take a few pictures of her while she was being interviewed. She smiled and said that it would be fine. After she left, the reporter suggested that I send some pictures to the Melody Maker, which I did never thinking that they would be used. The following Wednesday I saw the paper at my local newsstand and there was my photo on the front page along with my name credited, Wow! I got a call from Bob Houston, Melody Maker's assistant editor a few days later offering me a job as chief freelance photographer, which I gladly accepted...thanks to Lady Diana Ross! -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300 STARTING BID $1,300

THE KINKS, 1972SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $2,300 - $3,000STARTING BID $1,750

LED ZEPPELIN, PARIS, 1973 Palais des Sports, FranceLINER NOTES Arriving at the prestigious Hotel George V in Paris after a traumatic trip, as we landed during a thunderstorm after the plane had been struck by lightning, writer Roy Hollingsworth and I headed straight for the bar. We were met by a couple of 'heavy' looking characters who told us that Peter Grant, Led Zeppelin's manager wasn't pleased with us. Unbeknownst to Roy and me, the Melody Maker had given the new Led Zeppelin album Houses of the Holy a less than glowing review. We ordered the strongest drink we could and soon the looming figure of Peter Grant appeared before us. Peter gave us the 'third degree' and let us know that he hoped we would like that night's show at the Palais des Sport. The show was in fact amazing and despite a rather unruly crowd the band was in top form. It did get a good review in the Melody Maker and all was well. This picture is taken at the last drumbeat of the song, though I can't remember what song. -Barrie WentzellSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300 STARTING BID $1,300

JAMES BROWN, LONDON, 1971 Albert HallSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,700 - $2,300STARTING BID $1,300

BRUCE SPRINGSTEEN, HADDONFIELD, NEW JERSEY, 1978 Corvette WinterLINER NOTES Bruce seemed to come to Haddonfield in a different vehicle each time. After his initial visit in that old Chevy pick-up truck, the next day, Sunday, he arrived in a slick '60 Corvette. I think that car was his pride and joy. It was loaded, it was sleek, it ruled Route 9 and the New Jersey Turnpike. I imagined what it would be like to be Bruce, cruising in that Vette up the Pike under that giant Exxon sign in the wee, wee hours, thinking up song ideas while listening to his favorite tunes in that bad-ass Corvette. - Frank StefankoSIZE 27 x 37MEDIUM Aluminum metal print.VALUE $6,800 - $9,000STARTING BID $5,250

BRUCE SPRINGSTEEN AND THE E STREET BAND, NEW YORK CITY, 1978The CrewSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,300 - $,1800 STARTING BID $1,050

PATTI SMITH, NEW YORK CITY, 1974In ReposeSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,000 - $1,450STARTING BID $825

PATTI SMITH, NEW YORK CITY, 1973VogueSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,000 - $1,450STARTING BID $825

BRUCE SPRINGSTEEN AND THE E STREET BAND, LOCATION, 1978The Smiling Parking MeterSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,300 - $1,800STARTING BID $1,050

JIMI HENDRIX, LONDON, 1967Hands & Cravat, Mason's Yard StudioLINER NOTES Shot during my first session with Jimi at my Studio in early 1967, this fantastic outfit was overshadowed by the famous military jacket at the time. -Gered MankowitzSPECIFICS Shot with a Hasselblad 500C, 50mm lens, Kodak Tri-X film.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $2,000 - $2,700 STARTING BID $1,575

KEITH MOON, JACKSON, MISSISSIPPI, 1968LINER NOTES From the first North American tour, opening for Herman's Hermits. SIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000STARTING BID $600

KEITH MOON, NASHVILLE, TENNESSEE, 1967LINER NOTES From the first North American tour, opening for Herman's Hermits SIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000STARTING BID $600

PETE TOWNSHEND, HOUSTON, TEXAS, LATE 1970SLINER NOTES During The Who's first tour after Keith Moon's death with new drummer Kenny Jones.SIZE 16 x 20MEDIUM Archival digital print.VALUE $780 - $1,000STARTING BID $600

THE BEATLES, CLEVELAND, SEPTEMBER 15, 1964Back Stage at the Public AuditoriumSIZE 16 x 20MEDIUM Archival digital print.VALUE $1,200 - $1,500STARTING BID $900

THE BEATLES, BOSTON, 1964In the Limo with Guitars, September 12SIZE 20 x 24MEDIUM Archival digital print.VALUE $1,700 - $2,250STARTING BID $1,300

THE BEATLES, INDIANA STATE FAIR, 1964On Stage -16 of the Coliseum, September 3SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,200 - $1,500STARTING BID $900

JOHN LENNON, TORONTO, CANADA, 1964John in Bed, September 7SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,200 - $1,500STARTING BID $900

JOHN LENNON WITH SECURITY, 1964SIZE 16 x 20MEDIUM Archival digital print.VALUE $1,200 - $1,500STARTING BID $900

THE BEATLES, DENVER, 1964In the Limo, August 26SIZE 30 x 40MEDIUM Archival digital print.VALUE $2,400 - $3,100STARTING BID $1,875

MICK JAGGER, LONDON, 1968Portrait, Beggars Banquet photoshoot, June 14SPECIFICS Hasselblad Superwide 2&1/4 - Kodak Tri-X SIZE 16 x 20MEDIUM Archival digital print.VALUE $2,300 - $3,000STARTING BID $1,750

THE ROLLING STONES, ENGLAND, 1968 Smokey Stones on Grass, Beggars Banquet photoshoot, Swarkestone- Derbyshire, June 15SIZE 20 x 24MEDIUM Archival digital print.VALUE $4,100 - $5,500STARTING BID $3,150

THE ROLLING STONES, ENGLAND, 1968 Stones & Cows, Beggars Banquet photoshoot, Swarkestone-Derbyshire, June 15LINER NOTES A reportage snap taken while waiting for the van with the heavy equipment and props. SPECIFICS Shot with Nikon 35 mm, KodachromeSIZE 24 x 36MEDIUM Archival digital print.VALUE $4,500 - $6,000STARTING BID $3,500

JOHN LENNON & PAUL MCCARTNEY, RISHIKESH, INDIA, 1968Perfect Harmony, FebruaryLINER NOTES John and Paul were strumming their Martin acoustic guitars, singing fragments of songs, musically meandering through some of my favorites: Michelle, All You Need is Love, Eleanor Rigby, and others. I got my camera and after taking a few pictures through the chain link fence, I opened the gate and joined them. -Paul SaltzmanSPECIFICS Shot with a Pentax 35mm, Ektachrome 64 Film.SIZE 16 x 20MEDIUM C-printVALUE $1,200 - $1,500 STARTING BID $900

JIMI HENDRIX, HOLLYWOOD, CA, 1967Hollywood BowlLINER NOTES Jimi is waiting to open for the Mamas and Papas. -Henry DiltzSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,400 - $2,400STARTING BID $1,100

KURT COBAIN, LOS ANGELES, 1993L.A. ForumLINER NOTES His last Nirvana concert in L.A. at the Forum. And my last shot on the roll. -Henry DiltzSIZE 20 x 30MEDIUM Archival digital print.VALUE $1,200 - $2,300STARTING BID $950

TINA TURNER, LOS ANGELES, 1985Universal AmphitheatreLINER NOTES Concert at Universal Amphitheatre. Too close to the stage, looking straight up. -Henry DiltzSIZE 16 x 20MEDIUM Archival digital print.VALUE $650 - $1,500 STARTING BID $500

THE DOORS, LOS ANGELES, 1969Morrison HotelLINER NOTES One roll of film shot before we would get asked to leave. -Henry DiltzSIZE 20 x 30MEDIUM Archival digital print.VALUE $2,600 - $4,500STARTING BID $2,000

NEIL YOUNG, HALF MOON BAY, CA, 1971Broken Arrow RanchLINER NOTES Morning walk around his ranch. -Henry DiltzSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,500 - $3,200STARTING BID $1,200

CROSBY, STILLS & NASH, BIG BEAR, CA, 1969 LINER NOTES We drove up to snow country in a limo for the inside album spread shot. -Henry DiltzSIZE 16 x 20MEDIUM Archival digital print.VALUE $650 - $1,200STARTING BID $500

BOB DYLAN, 1976SIZE 20 x 24 MEDIUM Silver gelatin print.VALUE $5,400 - $7,500STARTING BID $4,200

BEASTIE BOYS, NEW YORK CITY, 1987 Stomboli PizzaSIZE 16 x 20 MEDIUM Archival digital print.VALUE $2,200 - $2,800STARTING BID $1,725

BOB MARLEY, 1980 Reading the BibleSIZE 16 x 20 MEDIUM Archival digital print.VALUE $2,200 - $2,800STARTING BID $1,725

DEBBIE HARRY, 1977Popeye the sailorSIZE 16x 20 MEDIUM Archival digital print.VALUE $1,800 - $2,300STARTING BID $1,450

LED ZEPPELIN, 1975 SIZE 16x 20 MEDIUM Archival digital print.VALUE $1,800 - $2,300 STARTING BID $1,450

U2, NEW YORK CITY, 1982St. Patrick's Day Parade, 5th AvenueSIZE 16 x 20 MEDIUM Archival digital print.VALUE $2,200 - $2,800STARTING BID $1,725

MICHAEL JACKSON, 1984 SIZE 16 x 20 Archival digital print.VALUE $2,200 - $2,800STARTING BID $1,725

TINA TURNER, MIAMI BEACH, 1976 SIZE 16 x 20 MEDIUM Archival digital print.VALUE $1,800 - $2,300STARTING BID $1,450

ROGER DALTRY, 1978SIZE 16 x 20 MEDIUM Archival digital print.VALUE $2,200 - $2,800STARTING BID $1,725

THE BEATLES, NEW YORK CITY, 1964LINER NOTES Another shot during dress rehearsal at The Ed Sullivan Show, February 9.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,100 - $1,500STARTING BID $875

WOODSTOCK, BETHEL, NY, 1969LINER NOTES I drove up toward Woodstock in New York's Catskill Mountains and got to within four or five miles of the festival when traffic came to a complete halt. I heard radio reports that the police might shut down all roads, including the New York State Thruway, which led to the nearby town of Bethel. And that's what they did. I had to walk four-plus miles to my motel' One photo I took as I walked to the site on the first day remains one of the most iconic images from Woodstock: an S-shaped curve of cars, literally hundreds of vehicles trapped on the road. It became one of my most widely published photographs around the world from that event. - Ken ReganSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,100 - $1,500STARTING BID $875

BRUCE SPRINGSTEEN, PHILADELPHIA, 1993Springsteen on location for the Streets of Philadelphia video.SIZE 16 x 20MEDIUM Silver gelatin print.VALUE $1,100 - $1,500STARTING BID $875

THE BEATLES, NEW YORK CITY, 1964JFK AirportSIZE 20 x 24MEDIUM Silver gelatin print.VALUE $1,700 - $2,200STARTING BID $1,300

JOHN COLTRANE, HACKENSACK, NJ, 1957Van Gelder Recording StudioLINER NOTES This classic photograph of John Coltrane with record producer Alfred Lion in the background at Coltrane's only Blue Note session which produced his album Blue Train became, in cropped form, the iconic image for the album cover. Blue Train was this artist's first masterpiece and has sold over a million copies to date.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety FilmSIZE 17 x 17MEDIUM Platinum print. VALUE $2,700 - $3,600 STARTING BID $2,100

DEXTER GORDON, ENGLEWOOD CLIFFS, NJ, 1961Van Gelder Recording StudioLINER NOTES Bi-coastal in the '40s when air travel was slow and expensive, the unusually well-read and well-informed Dexter Gordon was a unique presence among the pioneers of be-bop. This candid portrait conveys his world-weary personality.SPECIFICS Twin Lens Automatic Rolleiflex Camera with 75 mm f3.5 lens using Kodak 2 ¼ square Safety FilmSIZE 15 x 15 MEDIUM Silver gelatin print.VALUE $1,100 - $1,800STARTING BID $900

PAUL MCCARTNEY, RED SQUARE REFLECTION, 2002Hand-signed by Paul McCartney.SIZE 27.5 x 19.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

PAUL MCCARTNEY, EACH ONE BELIEVING, 2002LINER NOTES Used as cover of book with same title. Hand-signed by Paul McCartney.SIZE 27.5 x 21MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

PAUL MCCARTNEY, PAUL SINGS SOMETHING (TRIBUTE TO GEORGE HARRISON), 2002Hand-signed by Paul McCartney.SIZE 27.5 x 20.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

PAUL MCCARTNEY, RED PAUL, 2002Hand-signed by Paul McCartney.SIZE 27.5 x 23.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

PAUL MCCARTNEY, PIANO POINT, 2002Hand-signed by Paul McCartney.SIZE 27.5 x 19.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

PAUL MCCARTNEY, RED SQUARE AT NIGHT, 2002Hand-signed by Paul McCartney.SIZE 27.5 x 19.5MEDIUM Archival digital print.VALUE $1,900 - $3,000STARTING BID $1,500

JOHN LENNON, LONDON, 1968LINER NOTES John listening to the White Album, shot in his basement flat on Montague Square.SIZE 30 x 40MEDIUM Platinum print.VALUE $8,400 - $11,000STARTING BID $6,500

JIM MORRISON, ROUNDHOUSE, LONDON, 1968LINER NOTES As the show began, Morrison came out dressed in his normal costume (WARDROBE) of black leather trousers and jacket and white shirt. He seemed to me somewhat puffy-faced. It was as if he was pouting. Combined with his high cheekbones and long hair, it was the high-fashion look of a photographer's model. He walked slowly (a very studied slowly it seemed to me), to the microphone. He grasped it in both hands and leaned his weight upon it, looking down. When he sang, he put his lips directly to the mike and mouthed the lyric in such a way that it seemed that if he wasn't careful he might inadvertently swallow it. He hardly moved. When he was not singing, he hung his head down, drooping. He seemed to be trying to manifest an incredible tension that to me simply wasn't there. When in the middle of When the Music's Over and the song reaches a crescendo, Morrison throws his head back and yells, WE WANT THE WORLD AND WE WANT IT [pause] NOW! It is the clear, intended rallying point of the set, the moment audiences cheer wildly But London was not New York or anywhere in America, and here the audience reacted mildly. Who knows how that felt. It's too bright in here, Morrison said, squinting into the lights. I want those lights off, and he pointed out at the lights, which were, of course, necessary for the filming. The lights stayed on. The music stopped.- Ethan RussellSIZE 20 x 24MEDIUM Platinum print.VALUE $3,500 - $4,500STARTING BID $2,750

JOHN MONTELEONE, FOUR SEASONS GUITARS SERIES LINER NOTES Four guitars created by master luthier John Monteleone, each representing one of the four seasons and photographed by Jonathan Singer. The idea to construct an inseparable quartet of guitars, each one thematically representing one of the four seasons, slowly materialized after years of amassing a collection of tone woods that began to speak to my visualization of the seasons as a complete set of guitars. The building process took over six years to complete. The designs grew largely as improvisations along the way and included inlay designs of semi-precious stones with precious metals and jewels in the ornamentation. The bodies, necks and sound boards are all carved from a variety of figured maples and spruces from the American and European continents. An assortment of natural and dyed woods were used around the edges of the guitars to ornamentally frame their borders. -John MonteleoneWINTER Alpine spruce, curly red maple, macassar ebony, Honduras mahogany, African paduak, sterling silver, mother-of-pearl, diamonds; natural finish.SPRING Italian spruce, tiger maple, ebony, curly sugar maple, Honduras mahogany, African paduak, mother-of-pearl abalone, paua shell, turquoise, diamonds; sunburst finish (white to blue), cutaway.SUMMER German alpine spruce, Oregon big leaf maple, macassar ebony, Honduras mahogany, African paduak, red coral reconstituted stone, mother-of-pearl, diamonds, rubies; scroll body, sunburst finish (yellow to red), scroll body with cutaway;AUTUMN Alpine spruce, Oregon big-leaf maple, ebony, koa, Honduras mahogany, African paduak, spiney oyster reconstituted stone, mother-of-pearl; sunburst finish (yellow to orange), cutaway.SPECIFICS Photographed with a H2D-39 Hasselblad digital camera.SIZE 24 x 36 MEDIUM Four archival digital prints on rag paper in clam-shell box.VALUE $5,400 - $6,000STARTING BID $4,200

LED ZEPPELIN, NASSAU COLISEUM, NEW YORK, 1975LINER NOTES Previously unreleased live shot of Led Zeppelin in concert.SIZE 30 x 40 MEDIUM Archival digital print.VALUE $4,500 - $6,000STARTING BID $3,500

JIM MORRISON OF THE DOORS, NEW YORK CITY, 1967LINER NOTES In 1967, photographer Joel Brodsky took a series of black and white portraits of The Doors and Jim Morrison, known as The Young Lion photo session. This photograph is considered to be the most iconic image of Morrison.The shot on the inner sleeve of the Greatest Hits album was pretty near the end, I think. By that time, he was so drunk he was stumbling into the lights and we had to stop the session. He wasn't a wild drunk - actually he was kind of quiet - but his equilibrium wasn't too terrific. Still, he was great to photograph because he had a very interesting look. It seemed like a good session to me'Morrison never really looked that way again, and those pictures have become a big part of The Doors' legend. I think I got him at his peak -Joel BrodskySIZE 16 x 20MEDIUM Platinum print.VALUE $3,000 - $3,750 STARTING BID $2,400

DEBBIE HARRY, NEW YORK CITY, 1976 Debbie vulture shirt, shot at the Bowery loft.SPECIFICS Shot on film with a 35mm Nikon FM or Nikon F.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

DEBBIE HARRY, NEW YORK CITY, 1976 Debbie zebra, shot at Bowery loft.SPECIFICS Shot on film with a 35mm Nikon FM or Nikon F.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

DEBBIE HARRY, 1980 Debbie shades, all I know is not New York; on tour somewhere U.S. -Chris SteinSPECIFICS Shot on film with a 35mm Nikon FM or Nikon F.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

JOAN JETT, HOLLYWOOD, 1977 Joan at home in her apartment.SPECIFICS Shot on film with a 35mm Nikon FM or Nikon F.SIZE 16 x 20MEDIUM Archival digital print.VALUE $900 - $1,200STARTING BID $700

BJÖRK, COVENT GARDEN, LONDON, DATE UNKNOWNEnjoy Cock, Dave Stewart's apartment in Seven Dials.LINER NOTES This is from the same shoot as Björk In Spaces, for the cover of a magazine. I built a wall of flowers so when she stood in front with her Enjoy Cock t-shirt it was a juxtaposition between the pretty flowers and the bold statement on the t-shirt. She had a very angelic smile which made the portrait complete.-Dave StewartSPECIFICS Rolleiflex large format; negatives are 6x6 and Stewart used Fuji FilmSIZE 20 x 24MEDIUM Archival digital print.VALUE $1,300 - $1,800STARTING BID $1,050

TIMELESS, 2010LINER NOTES Timeless is the road we all go down... It's one without an end... The one we must all travel.-Julian LennonSIZE 40 x 60 MEDIUM Aluminum metal printVALUE $9,800 - $13,000STARTING BID $7,500

BILLY GIBBONS, ZZ TOP, 2010LINER NOTES A moment of peace amongst the madness that can be Rock 'n' Rock.-Julian LennonSIZE 16 x 20MEDIUM Archival digital printVALUE $1,270 - $1,700STARTING BID $975

GLENN HUGHES, SINGER/SONGWRITER, 2010LINER NOTES The One & Only... You don't get more Talented than Glenn at his best!-Julian LennonSIZE 16 x 20MEDIUM Archival digital printVALUE $1,270 - $1,700STARTING BID $975

SEAN LENNON, 2010LINER NOTES My Brother, My Brother... The Apple doesn't fall far from the Tree... -Julian LennonSIZE 16 x 20MEDIUM Archival digital print.VALUE $1,800 - $2,400STARTING BID $1,400

JOE STRUMMER, MILAN, 1981LINER NOTES I shot this photo of Joe Strummer for Melody Maker before a concert in a bicycle stadium in Milan. We were in an underground tunnel which served as a makeshift dressing room. Everyone was very stoned and the atmosphere was intense as I photographed each band member.- Janette BeckmanSIZE 16 x 20 MEDIUM Silver gelatin print.VALUE $910 - $1,200STARTING BID $700

THE SEX PISTOLS, LONDON, 1977The Sex Pistols rehearsing in Tin Pan Alley, SohoSIZE 16 x 20MEDIUM Silver gelatin print.VALUE $910 - $1,200STARTING BID $700